Miley Cyrus wore a Gucci Resort 2026 feather jacket with a Gucci Bamboo 1947 mini bag for her Vogue France November 2025 photoshoot.
For the November 2025 issue of Vogue France , Miley Cyrus was photographed in a Gucci Resort 2026 feather jacket , a voluminous creation that enveloped her in dramatic, sculptural texture. She paired the avant‑garde piece with the Gucci Bamboo 1947 mini bag in black patent leather , its glossy finish and gold hardware offering a sharp counterpoint to the feathery silhouette.
Her accessories included Gucci Resort 2026 drop statement earrings , though the neutral gray backdrop and Cyrus’s short, curly blonde hair ensured the focus remained on the interplay between garment and form. The result was a striking editorial portrait that blurred the line between fashion spread and performance art.
Miley Cyrus wore a Fendi Resort 2026 strapless peplum dress with a Gigi Burris wide brim hat for her Vogue France November 2025 photoshoot.
For the November 2025 issue of Vogue France , Miley Cyrus was photographed in a Fendi Resort 2026 strapless peplum dress , a structured leather silhouette that emphasized both strength and sensuality. The look was paired with the Gigi Burris for Mirror Palais Dark Romance wide brim hat , which obscured part of her face and added a note of mystery.
Her accessories included the Messika 18K white gold diamond Move Link necklace , a subtle yet precise counterpoint to the boldness of the dress and hat. Long black gloves and tattoos visible on her arms reinforced the editorial’s tension between elegance and rebellion.
Miley Cyrus wore a Givenchy Fall 2025 leather puff sleeve top and pencil skirt for her Vogue France November 2025 photoshoot.
For the November 2025 issue of Vogue France , Miley Cyrus was photographed in a Givenchy Fall 2025 leather ensemble that fused architectural severity with retro glamour. She wore a structured black leather crop top with exaggerated puff sleeves and a sweetheart neckline , paired with a high‑waisted leather pencil skirt . Long gloves extended past the elbows, reinforcing the dramatic silhouette.
Shot in stark black‑and‑white, the portrait emphasized the sculptural qualities of the outfit. Cyrus’s short, retro‑styled curls and direct gaze amplified the editorial’s intensity, while the monochrome palette stripped the look down to pure form and texture.
