Millie Bobby Brown posed for a Florence By Mills photoshoot in January 2026 wearing a white cherry-print set with angel wings and Cupid’s bow.
The open doorway frames everything — sunlit balcony, beige walls, terracotta rooftops. In the center, Millie Bobby Brown stands barefoot, half-turned toward the overcast sky, dressed like some 21st-century cherub.
She’s wearing a white cotton crop top and matching shorts , printed with tiny red cherries — playful, soft, perfectly aligned with her Florence By Mills aesthetic of youth and ease. Over her back, an exaggerated pair of white feathered wings — light catching on the texture, ruffled but intact. In her hands, a Cupid-style bow and arrow , wrapped in what looks like white tinsel.
The setting doesn’t dramatize her; it balances her. The marble railing, the aged stucco, the ordinary sky — they make the costume feel almost homemade, more sincere than styled. Her hair falls loose, brown with a slight wave, parted near the middle. No heavy makeup visible, just a natural flush, a sheen of daylight on her face.
It’s not glamour. It’s more a moment — simple, imaginative, a flash of humor that feels right for the brand’s free-spirited, teen-grown-up energy. Millie as Cupid isn’t selling desire here; she’s parodying it gently, replacing divine mischief with warmth.
Elle Fanning posed for a January 2026 photoshoot wearing a soft sheer blue top with draped sleeves and minimal makeup focused on radiant skin.
The image feels still, almost quiet — like the camera was breathing with her. Elle Fanning stands slightly off-center, one hand brushing her neck, her gaze measured but not staged. She looks relaxed inside the moment.
She wears a diaphanous blue top , sheer fabric layered loosely over the shoulders, folding like light waves. Draped lines twist gently at the waist, a soft sheath sliding into darker tones below. The transparency adds air more than allure — it’s the kind of look that lives between texture and atmosphere.
Her hair, pale blonde and parted neatly, scatters a few uneven strands down her collarbone. The skin, luminous under subdued light, makes the fabric’s tone echo against her own. The makeup — pink flush on the cheek, a slick of red across the mouth — holds just enough tension to keep it modern, not romanticized.
Dove Cameron shared a mirror selfie on January 23, 2026, wearing a black knit top and pleated leather skirt with her Prada Cover in Saffiano.
Bathroom light bouncing off gray marble, space quiet except for her silhouette in the mirror. Dove Cameron holds her phone just above eye level, half serious expression, all precision.
She’s dressed head-to-toe in black — a slim knit top, sleeves extending past the wrist, and a structured pleated leather skirt cinched by a side buckle. The shine of the leather catches the muted light in small patches, moving like oil sheen across still water. On her wrist, a faint gold ring glints; her phone case, unmistakably Prada Cover in Saffiano , carries the quiet confidence of someone who enjoys design details.
Millie Bobby Brown posed for a Florence By Mills photoshoot in January 2026 wearing a white cherry-print set with angel wings and Cupid’s bow.
The open doorway frames everything — sunlit balcony, beige walls, terracotta rooftops. In the center, Millie Bobby Brown stands barefoot, half-turned toward the overcast sky, dressed like some 21st-century cherub.
She’s wearing a white cotton crop top and matching shorts , printed with tiny red cherries — playful, soft, perfectly aligned with her Florence By Mills aesthetic of youth and ease. Over her back, an exaggerated pair of white feathered wings — light catching on the texture, ruffled but intact. In her hands, a Cupid-style bow and arrow , wrapped in what looks like white tinsel.
The setting doesn’t dramatize her; it balances her. The marble railing, the aged stucco, the ordinary sky — they make the costume feel almost homemade, more sincere than styled. Her hair falls loose, brown with a slight wave, parted near the middle. No heavy makeup visible, just a natural flush, a sheen of daylight on her face.
It’s not glamour. It’s more a moment — simple, imaginative, a flash of humor that feels right for the brand’s free-spirited, teen-grown-up energy. Millie as Cupid isn’t selling desire here; she’s parodying it gently, replacing divine mischief with warmth.
