Millie Bobby Brown wore multiple festive outfits in the Florence by Mills Holiday 2025 campaign, ranging from playful pajamas to Santa-inspired attire.
For the Florence by Mills Holiday 2025 campaign , Millie Bobby Brown is photographed in a series of festive ensembles that emphasize celebrity photoshoot-coded playfulness reframed as editorial spectacle .
- Look 1: Santa-Inspired Ensemble Brown sits atop a decorated fireplace mantel in a red crop top and shorts with a large black belt , styled with red gloves trimmed in white fur, black boots with fur cuffs, and a long Santa hat . The setting’s garlands and candles situate the look within styled shoot-coded festivity , amplifying the playful tone.
- Look 2: Candy Cane Pajama Set In another frame, she takes a mirror selfie in a red long-sleeve top and matching pants patterned with candy canes , surrounded by stacks of wrapped gifts. The casual silhouette situates the look within studio portrait-coded intimacy , reframing holiday loungewear as editorial narrative.
- Look 3: Bow-Pattern Pajamas Brown stands before oversized gift boxes in a matching pajama set with red bow motifs , accessorized with red bow slippers . The oversized props emphasize fashion spread-coded whimsy , situating the look within a playful holiday tableau.
Ariana Grande wore a vintage 1950s couture black pleated tulle gown with floral appliqués and Christian Louboutin Cassia lace-up pumps in London, November 2025.
On November 10, 2025 , Ariana Grande was seen in London following the Wicked: For Good premiere, wearing a look that emphasized event appearance-coded theatricality reframed as couture spectacle . She stepped out in a vintage 1950s couture strapless gown crafted from black pleated tulle , adorned with large white floral appliqués across the voluminous skirt and sheer neckline.
The ensemble was paired with Christian Louboutin Cassia lace-up pumps , grounding the gown’s dramatic flair with modern footwear precision. Her styling balanced the gown’s historical resonance with contemporary edge, situating the frame within public appearance-coded grandeur .
This look aligns with the current mood of archival couture revival reframed for modern celebrity appearances . The gown’s floral appliqués evoke mid-century craftsmanship, while the pleated tulle silhouette situates Grande within the broader narrative of front row fashion-coded spectacle .
Her choice of vintage couture underscores a deliberate embrace of fashion history, signaling that contemporary event dressing thrives not only on novelty but also on heritage-coded resonance . Grande’s presence after the Wicked premiere situates her within the cultural conversation of theatricality and nostalgia, positioning her as both performer and fashion archivist.
Ariana Grande wore The Row’s Erdene virgin wool coat with Irene Neuwirth large gumball studs at the Wicked: For Good London screening, November 2025.
On November 9, 2025 , Ariana Grande attended the special screening and reception of Wicked: For Good in London , wearing a look that emphasized event appearance-coded restraint reframed as high fashion polish . She appeared in The Row’s Erdene coat in virgin wool , styled with satin lapels over a black top. Accessories included Irene Neuwirth large gumball studs and a subtle necklace, situating the ensemble within press event style-coded elegance .
Her hair was styled sleekly, paired with pearl-like earrings that punctuated the look with sculptural clarity. The overall composition balanced Grande’s signature glamour with the understated sophistication of The Row, situating her presence within media event-coded refinement .
