Miriam Petche wore a sheer mint floral top and pencil skirt by Fendi for her Elle UK March 2026 feature.
I like when a look feels like air. Or better yet, like something you could crumple in your fist — and it would bounce back.
Miriam Petche appears on the Elle UK March 2026 page in a sheer mint-green floral set by Fendi , and it’s lightweight in every sense of the word. The long-sleeve top is puffed just slightly at the shoulders and wrists — soft volume, not fuss — and zipped down the front with a concealed placket. Beneath it, the matching pencil skirt floats between translucency and structure, printed with lemony dots and white blotted florals. The whole thing feels like it was made for British light.
But what gives this look depth is where it shows up. Petche opens up about playing Sweetpea in Industry — a TikTok-viral character with frenetic energy — and how distant that role is from her real self. She’s calm, intentional. Talks about navigating social media boundaries, wanting to take her Kindle and just unplug for a while. She jokes her Spotify Wrapped said she listened to “77” tracks, which sounds like a glitch but mostly reads as: she’s not performative. At all.
Jewelry is pared-back elegance: gold-and-diamond earrings and a matching ring by Tiffany & Co. , nothing screaming but still sharp in close crop shots.
This shoot isn’t loud. It’s not grabbing. It’s the kind of styling that lets someone exist inside it rather than be consumed by it.
Emeline Hoareau wore Givenchy, Alberta Ferretti, Simone Rocha, and Miu Miu in Harper’s Bazaar UK March 2026 editorial photoshoot.
Kristen Stewart wore a sleeveless white dress and later a black leather jacket in The Telegraph February 2026 editorial photoshoot.
For The Telegraph’s February 5, 2026 editorial, Kristen Stewart shows up in two sharply different outfits. That’s the point — the spread doesn’t settle on one version of her.
First look: a sleeveless short white dress trimmed in black, with pocket details that keep it playful. Tattoos visible on her arms and thigh, including the word “MINE.” If you ask me, the ink makes the dress less prim, more lived-in. Black shoes ground it. The whole thing feels like a styled shoot but still believable, not costume.
Second look: black leather jacket over a ribbed white top. Accessories pared down to silver necklace and rings. Hair loose, posture leaning against a chair. It’s simple but looks expensive, the kind of outfit you’d throw on for a press event without overthinking. The best part? The jacket does all the work here.
Together, the two outfits balance sharpness and ease. One says “styled,” the other says “casual edge.” And that’s why the editorial works — it doesn’t flatten her into one mood.
