Molly Gordon wore a slouchy black sweater and relaxed trousers while posing among stacked books for her January 2026 Harpers Bazaar France feature.
Elyse Hofer models for SHEIN’s January 2026 campaign, styled in multiple casual outfits with relaxed textures and modern contrasts.
The January 2026 SHEIN campaign features Elyse Hofer in a set of images that lean into everyday atmosphere rather than polished glamour.
One frame shows her seated on a tall stool, light gray shirt with striped collar and cuffs, paired with ripped jeans and white sneakers. A plant in a woven basket sits nearby, the setting bright and casual. It feels like a photoshoot staged in someone’s living room, not a studio.
Another look shifts indoors. Maroon knit sweater and pants, barefoot, standing on one leg. A lamp glows in the background, couch and curtains softening the scene. It’s loungewear, but styled with intention–comfort as fashion.
Then a striped set. Crop top and wide-leg pants, brown and white alternating. She stands barefoot beside a bed, mirror and vases behind her. The room is layered with rugs, baskets, candles. The outfit blends into the interior, almost like part of the decor.
Across these frames, the styling is consistent: casual, lived-in, textured. Nothing feels theatrical. Instead, the campaign insists on authenticity–clothes as part of daily rhythm, not escape.
Raye appears in ELLE US February 2026 issue, styled in multiple outfits with bold textures and expressive contrasts.
The February 2026 issue of ELLE US places Raye in a set of images that feel more like fragments of mood than polished glamour.
One frame shows her in a black dress with ruffled neckline and skirt. Hair styled with oversized flowers–pink and lavender–paired with statement earrings. Purple lipstick, red nails, a yellow ring flashing against the dark fabric. The look is dramatic, but the plain background keeps it grounded.
Another portrait strips color away. Black-and-white frame, glossy jacket with puffed sleeves, belted waist. Hair sleek, floral headpiece perched. The silhouette is sculptural, almost rigid, softened only by the monochrome tones.
Another portrait strips color away. Black-and-white frame, glossy jacket with puffed sleeves, belted waist. Hair sleek, floral headpiece perched. The silhouette is sculptural, almost rigid, softened only by the monochrome tones.
Then comes the explosion of embroidery. A floral-patterned dress, puffed sleeves, sequins scattered in red, purple, green, blue. High neckline, voluminous skirt. She poses with mouth open, expressive, almost singing. The plain backdrop makes the dress louder, more insistent.
The final image shifts again. Large textured hat, fur coat striped, flower tucked behind the ear. Black-and-white photography, gaze direct, hand raised to brim. It’s confident, but not theatrical–it feels like a pause, a moment caught mid-thought.
