Mona Fastvold attended ‘The Testament of Ann Lee’ gala screening in London wearing a striking red wool skirt suit with a sculpted jacket.
A perfectly tailored suit is always a good idea, and this look is a case in point. For the gala film screening of ‘The Testament of Ann Lee’ in London on February 06, 2026, director Mona Fastvold chose a designer outfit that was both classic and completely modern.
She wore a vibrant red skirt suit that felt like a vintage throwback done right. The ensemble, which looks to be made from a thick wool , featured a knee-length pencil skirt and a matching tailored jacket . The best part of this outfit is undoubtedly the jacket . It has a wide, rounded Peter Pan collar and a sharply cinched waist , creating a beautiful, sculptural shape. She wore it with just a hint of a black lace top peeking through.
I’ll say it: the shoes are an interesting and unexpected choice. Instead of classic pumps, she went with a pair of black pointed-toe flats with multiple thin straps crisscrossing over the foot. It’s a slightly quirky detail that adds a lot of personality and keeps the suit from feeling too formal or stuffy. This is a great piece of red carpet fashion because it shows confidence and a clear point of view.
The whole look works because of the incredible tailoring and that bold, uncompromising color. It’s a powerful choice for a director on her big night.
It’s sharp, sophisticated, and just a little bit different. I’m taking notes.
Charlotte Dawson wore a shimmering red gown and purple gloves, channeling Jessica Rabbit at a fancy dress party in Blackpool in February 2026.
If you ask me, the number one rule of a fancy dress party is to commit to the theme. And that is exactly what Charlotte Dawson did for a party in Blackpool . This isn’t just a nod to a character; it’s a full-on transformation.
The entire look is a direct homage to Jessica Rabbit. She chose a strapless red gown with a classic sweetheart neckline and a dusting of subtle glitter that catches the light. The dress is gathered at the waist before falling into a skirt with a dramatic, thigh-high slit —a non-negotiable detail for this particular costume.
But what really sells the look are the accessories. The long, shiny satin opera gloves in a bold electric purple are the perfect, deliberate clash against the red. This is a great example of a public appearance where the styling is meant to be theatrical. I think the whole thing works because it leans into the cartoonish glamour instead of shying away from it. She completed the look with sparkling, pointed-toe pumps and large crystal drop earrings .
The best part? This isn’t trying to be a high-fashion interpretation. It’s an unapologetic, fun costume, and it’s executed perfectly for the occasion. It’s a fantastic celebrity event look that understands its own purpose.
To sum it up: she nailed the assignment.
Mariah Carey performed at the 2026 Winter Olympics wearing a custom Roberto Cavalli gown and a dramatic feathered stole, accessorized with over 300 carats of LEVUMA diamonds.
It wouldn’t be a global event without a truly iconic performance from a legend. For the Opening Ceremony of the 2026 Winter Olympics at San Siro Stadium in Milan, Mariah Carey delivered a spotlight moment that was all about peak glamour.
Her onstage fashion was pure, unapologetic diva. She wore a custom white bustier gown by Roberto Cavalli , which featured intricate, shimmering embellishments in art deco-style patterns. The dress had a classic Mariah silhouette with a deep plunging neckline and a long, sparkling train. If you ask me, the star of the show was the massive feathered stole , a floor-length piece that added incredible drama and texture.
And then there was the jewelry. She was dripping in diamonds from LEVUMA High Jewelry , wearing a staggering 306 carats of emerald-cut diamonds across a necklace, bracelet, and earrings, all set in platinum. The sheer sparkle was almost blinding. I’ll say it: nobody commits to a glamorous look quite like Mariah.
The whole thing—the custom gown , the feather stole , the mountain of diamonds—is a perfect storm of what makes her concert style so memorable. It’s not just an outfit; it’s a statement. This is exactly the kind of larger-than-life energy you want for an Olympic opening ceremony.
She didn’t just sing; she put on a show.
