Monica Barbaro wore a Dior Pre-Fall 2026 dress with Dior Spring 2026 Slingback Sandals at the Dior Haute Couture Spring/Summer 2026 show.
The checkered floor of the venue feels like a chessboard, and Monica Barbaro just made a move. It’s a quiet, almost severe setting—stone walls, heavy greenery, the kind of place where you expect silence. But she brings a specific kind of noise. Not loud. Just present. She is attending the Christian Dior Haute Couture Spring/Summer 2026 show as part of Paris Fashion Week, and the outfit is a masterclass in celebrity style that refuses to play it safe. It feels less like a dress and more like a sculpture she’s wearing.
The Dior Pre-Fall 2026 Dress is a slab of black jersey that’s been twisted, folded, and pinned into submission. It’s draped across the torso in a way that hides the waist, creating a column of fabric that falls to the knee. The real punchline, though, is the neckline. It’s a stiff, architectural cowl that sits high, almost choking, but then explodes into this unexpected burst of color. A single, oversized floral applique—red and orange petals with green leaves—sits right on the collarbone. It looks almost painted on, or maybe like a brooch that got too big for its own good. It’s a weird, melodramatic detail that shouldn’t work with the rest of the severe black, but somehow, it does. It feels like a bruise, or a wound, or just really aggressive gardening.
Below the knee, the dress breaks into a fluid, asymmetric hem that trails slightly behind her. She’s wearing Dior Spring 2026 Slingback Sandals —black, strappy, with a high heel that looks painful but necessary to elongate the leg. The shoes are delicate, almost fragile against the heavy draping of the dress. In her hand, a small black clutch, barely visible. Her hair is pulled back tight, exposing the jawline, the makeup is minimal except for a dark lip that matches the dress. There’s no jewelry. No distractions. Just the dress and the flower.
Marianne Fonseca attended the Schiaparelli Spring Summer 2026 Haute Couture show in Paris wearing a knitted two‑piece golden brown set with a matching clutch.
In the chill of January Paris, Marianne Fonseca stands out in burnished tones outside the Schiaparelli Spring/Summer 2026 show. Her look is sculptural but playful—a fitted knit two‑piece in gold and deep brown , designed with a repeating scale‑like pattern that catches the light from every flash. The top , fastened with ribbon ties down the center , balances precision and ease, while the matching leggings trace her silhouette closely, ending just above classic black pointed heels . In one hand, she carries a black Schiaparelli clutch adorned with the brand’s signature surreal hardware, gold accents glinting against the neutral tone of the outfit.
Next to her, a companion in relaxed tailoring—an oversized black suit layered over a sheer shirt and dark burgundy platform shoes—adds a grounding contrast. Together they read like fashion’s modern duality: texture meeting simplicity, wit tempered by calm. It’s a pairing that fits the tone of event appearances during Paris Haute Couture Week this season—effortless coordination masking real strategy.
Karlie Kloss wore a Dior Pre-Fall 2026 dress with Dior Muse Pumps and a Cigale Bag at the Dior Haute Couture Show.
Paris couture week mornings have a specific energy. Polished, quiet, charged with the knowledge that every outfit will be picked apart frame by frame. Karlie Kloss stepped out of Le Bristol Hotel on January 26, 2026, en route to the Dior Haute Couture Show , and nailed the assignment. This is celebrity street style for the fashion literate: no flash, just intentionality.
Her Dior Pre-Fall 2026 Dress is a masterclass in less is more. Cut from a heavy matte black jersey that drapes like liquid without clinging, it features a soft folded cowl neck that skims one shoulder, and voluminous three-quarter puff sleeves cinched tight at the wrists with elasticated cuffs . The hem falls in an asymmetric sweep , grazing her calves and moving with a slow, deliberate sway when she walks. On her feet are Dior Muse Pumps : square-toed , croc-embossed black leather , with a delicate thin strap across the instep that feels retro but not dated. A Dior Cigale Bag peeks out from behind her hip, sleek and structured, its presence felt more than seen. Her hair is pulled back loosely, a few strands framing her face, makeup soft save for a warm flush on her cheeks. No statement jewelry, no over-the-top styling. Just the dress, the shoes, and the kind of posture only a lifelong model can pull off.
For anyone who’s followed Kloss’s career, this alignment with Dior makes perfect sense. She’s long been associated with the brand, and this look feels like a quiet nod to Dior’s legacy of polished, feminine minimalism. Couture week often devolves into a contest of who can wear the most outrageous piece, but this dress rejects that entirely. It is the kind of outfit that looks just as appropriate in the hotel’s gilded lobby as it does in the front row of a fashion show.
Monica Barbaro attended the TIME100 Next Gala in New York on October 30, 2025, wearing a sequined Armani Privé gown and Cartier jewelry.
On October 30, 2025 , Monica Barbaro arrived at the TIME100 Next Gala held at Current at Chelsea Piers in New York , delivering a look that fused couture precision with red carpet clarity. She wore an Armani Privé Fall 2024 couture gown , featuring a one-shoulder sequined bodice and a floor-length velvet skirt — a silhouette that balanced sculptural elegance with tonal restraint.
Her accessories included the Cartier Broderie de Cartier ring and Cartier [Sur]Naturel High Jewelry earrings in 18K white gold with diamonds and lacquer , adding sparkle and editorial punctuation to the ensemble. With her hair styled in a sleek updo and minimal makeup, Barbaro turned the media wall into a celebrity event look vignette of modern glamour and silhouette discipline.
Barbaro’s styling reflects the 2025 trend of contrast-coded couture , where garments are chosen for their ability to signal texture interplay and silhouette control. The sequined bodice — reflective and sculptural — channels the rise of front row fashion geometry , while the velvet skirt introduces charity gala grounding .
The Cartier jewelry adds press event style punctuation , and the absence of excessive embellishment injects panel look restraint . In a landscape where red carpet fashion often leans toward volume or overt sparkle, Barbaro’s ensemble signals a pivot toward editorial silhouette clarity — where elegance is defined by proportion, edit, and presence.
This moment also aligns with the growing wave of celebrity styling that blends legacy couture with contemporary tone. Barbaro’s look speaks to confidence, control, and the quiet power of a well-edited silhouette designed for resonance, rhythm, and recognition.
