Monica Bellucci wore a black piped trench‑style coat, sheer underpinnings and pointed heels for her Vogue Spain 2005 editorial photoshoot.
Monica Bellucci’s 2005 collaboration with Ellen von Unwerth for Vogue Spain is peak mid‑2000s mischief: sharp tailoring, heavy shadow, nothing relaxed about it. In this frame she sits on the carpet, legs stretched out and slightly apart, wearing a black coat that reads like a trench re-cut as a dress. White piping traces every edge—lapels, pockets, front seams—so the garment becomes almost architectural , a drawn outline around her body. The coat falls open just enough to show bare thighs and classic black pointed pumps. Underneath, a darker, glossier layer hints at lingerie. Her hair is piled into a tight updo, face framed by strong liner and dark brows, with what looks like a fine netted veil catching the light across her forehead.
Emma Stone wore a Louis Vuitton blanket scarf coat at the Louis Vuitton X W Magazine awards-season dinner in January 2026.
Emma Stone, in a quiet pocket of celebrity style , attended Louis Vuitton and W Magazine’s Intimate Awards Season Dinner in Beverly Hills, California, on January 8, 2026.
The look is almost entirely pale: a long, soft-beige Louis Vuitton Blanket Scarf Coat worn open like a wrap you never want to take off. Under it, a glossy white high-neck top reads satin on camera–clean, slightly reflective, the kind of fabric that shows every tiny fold. The trousers are also white, wide through the leg, with a gentle puddle at the hem. In her hand: the Louis Vuitton Alma Trunk BB Monogram Bag, the brown monogram breaking up all that lightness like a small, practical thought. (The pieces are credited in the provided details to Louis Vuitton Spring 2026.)
Shoes are not clearly visible here–the trouser hem covers that part of the story.
Kristen Stewart wore a black tank with white trim and loose black trousers at The Chronology of Water LA premiere 2026.
Kristen Stewart attended the LA premiere of The Chronology of Water at 2220 Arts & Archives on January 8, 2026, in an outfit that looked more like a band rehearsal uniform than a traditional premiere look. She wore a fitted black tank with thick white edging around the neckline and armholes and a white vertical stripe running down the center like a zipper track. The top sat snug over loose, soft‑looking black trousers with a straight, slightly slouchy leg that bunched a bit at the shoes. Those shoes were simple black lace‑ups—practical, flat, almost workwear. Her hands stayed buried in her pockets, shoulders relaxed. Short shaggy hair, almost a mullet, fell around her face, and a stack of silver chains at her neck caught the light. Tattoos on her arms—one blunt “WHY” on the upper forearm—peeked out without any attempt to hide them.
