Myleene Klass wore a sparkling green mini dress with silver‑trim straps and red glitter heels on the yellow brick‑road carpet at the Wicked For Good premiere in London on November 11, 2025.
At the Wicked For Good premiere in London on November 11, 2025, Myleene Klass stepped onto a themed yellow‑brick carpet in an outfit that played directly into the film’s emerald palette. Photographed against a green backdrop emblazoned with WICKED FOR GOOD, she wore a bright, sparkly green mini dress with thin straps and a silver‑trim neckline, finished with striking red glitter high heels that read as a playful nod to theatrical iconography.
Dress: A vivid green, heavily sparkled mini with thin straps; the silver trim along the neckline accentuates the décolletage and adds a couture touch visible on camera.
Footwear: Red glitter high heels provide a contrasting pop and theatrical callback to classic stage imagery, creating deliberate color tension with the dress.
Styling & Set: Minimal visible jewelry lets the dress and shoes dominate; the yellow brick‑patterned floor and floral accents frame the look as a purposefully themed, promotional moment.
Jessie Buckley fronts ELLE USA’s Women in Hollywood issue in a series of images that toggle between sculptural tailoring, playful schoolgirl edits, and cinematic monochrome drama.
For ELLE USA’s Women in Hollywood issue shot by Nathaniel Goldberg, Jessie Buckley presents a compact wardrobe study that balances theatricality with intimate charm. The sequence moves from polished editorial restraint to exuberant, characterful styling, making the portraits feel both curated and conversational.
Tailored Black Dress with Puff Sleeves A dramatic, voluminous‑sleeved black dress with a square neckline anchors the monochrome portrait. The silhouette reads archival yet modern, using shoulder volume to create a stage‑ready frame that complements Buckley’s short, slicked‑back hair.
Schoolgirl‑Adjacent Editorial Edit A green knit with a contrasting maroon collar paired with a dark pleated pinstripe skirt channels a playful, rebellious prep aesthetic. Fishnet stockings and white high‑heeled shoes introduce a deliberate tension between innocence and subversion; accessories are minimal and pointed.
White Blouse with Red Bow Cover Look The cover image—Jessie in a crisp white blouse topped with an oversized red bow and black tights—functions as the issue’s tonal pivot: theatrical, authoritative, and immediately iconic. The bow reads like an editorial signature, letting minimal makeup and a plain backdrop intensify her presence.
Nina Dobrev posed for Huy Luong in a floor‑length red gown with matching red gloves against a dramatic floral backdrop at the CFDA/Vogue Fashion Fund dinner in November 2025.
For a CFDA/Vogue Fashion Fund dinner photoshoot by Huy Luong in November 2025, Nina Dobrev embraced a cinematic, old‑Hollywood silhouette: a striking floor‑length red gown paired with elbow‑length red gloves. Photographed indoors on a wooden floor, she stands before an arresting arrangement of red and pink florals that amplifies the gown’s color story and elevates the frame to a theatrical tableau.
Dress: A floor‑skimming red gown with a fitted bodice and a sweeping silhouette that reads formal and sculptural under ambient light.
Gloves: Matching red gloves extend the gown’s color line, lending a polished, couture gesture that registers strongly in portraiture.
Accessories and Pose: Minimal visible jewelry keeps the focus on shape and color; the subject’s posture is composed, reinforcing the shoot’s refined mood.
Set: A dense floral installation in reds, pinks, and deep greens provides textural contrast; a dark maroon upholstered bench and wooden flooring ground the composition in warmth and depth.
