Natalia Dyer wore a red and black Andreas Kronthaler for Vivienne Westwood gown at the Stranger Things Season 5 premiere in Los Angeles.
At the Stranger Things Season 5 World Premiere in Los Angeles on November 6, 2025 , Natalia Dyer arrived in a look that fused theatrical couture with red carpet precision. She wore a custom Andreas Kronthaler for Vivienne Westwood gown , featuring crimson draping, black ribbon detailing, and a dramatic train .
The gown’s sculptural construction and asymmetrical sleeve strip created a tension between classic glamour and punk-coded rebellion. Paired with red high-heeled sandals , a bold red lip , and statement earrings , Dyer’s styling projected celebrity event look-coded clarity , where every element was calibrated for impact.
This premiere marked the beginning of the end for one of Netflix’s most iconic series, and Dyer’s look reflected that narrative weight. The Westwood gown—known for its historical references and subversive tailoring—was a deliberate choice. It signaled Dyer’s evolution from ensemble cast member to fashion moment-coded protagonist .
The red and black palette echoed the show’s visual language: danger, nostalgia, and supernatural tension. The ribbon detail down the sleeve resembled a cinematic flourish—like a character mark or narrative scar. In this context, the gown wasn’t just couture; it was costume, symbolism, and statement.
Maya Hawke wore a sheer pale green custom Prada gown at the Stranger Things Season 5 premiere in Los Angeles on November 6, 2025.
At the Stranger Things Season 5 World Premiere in Los Angeles on November 6, 2025 , Maya Hawke arrived in a look that fused ethereal softness with couture clarity. She wore a custom Prada gown in sheer pale green , featuring a draped overlay atop a structured bra top and skirt , creating a layered silhouette that balanced transparency with architectural restraint.
Her styling was deliberately minimal: soft-glam makeup , loose waves parted down the middle , and no visible accessories, allowing the gown’s texture and movement to dominate the visual field. The black carpet and vine-laced backdrop reinforced the supernatural tone of the event, while Hawke’s presence injected a moment of quiet elegance into the spectacle.
As the Stranger Things saga approaches its final chapter, Hawke’s red carpet appearance signals a shift in her public persona—from ensemble cast member to fashion-coded auteur . The Prada gown, with its sheer layering and muted palette, evokes a kind of cinematic melancholy, aligning with the show’s themes of memory, loss, and transformation.
This wasn’t just a dress—it was a mood. The translucent fabric suggested vulnerability, while the structured underlayer offered control. In a sea of bold gowns and statement silhouettes, Hawke’s look whispered rather than shouted, and that restraint made it resonate.
Olivia Wilde wore a black velvet suit with white shirt and tie at Harper’s Bazaar Women of the Year in London on November 6, 2025.
At the Harper’s Bazaar Women of the Year event held at Claridges Hotel in London on November 6, 2025 , Olivia Wilde arrived in a look that fused masculine tailoring with editorial precision. She wore a black velvet suit paired with a crisp white shirt and black tie , accessorized with a black clutch and sunglasses , projecting a deliberate and composed silhouette.
The backdrop—lined with luxury sponsor logos like De Beers, Range Rover, and Dr. Barbara Sturm—reinforced the event’s high-profile tone, while Wilde’s styling leaned into press event style-coded clarity , where restraint becomes a statement.
