Natalie Portman wore a black coat and wide-leg jeans for a relaxed event appearance outside the private premiere of “Wicked: For Good” in Paris.
Outside the private premiere of “Wicked: For Good” in Paris, France on November 7, 2025 , Natalie Portman was spotted in a look that fused casual chic with media event clarity. She wore a black coat layered over wide-leg blue jeans , paired with black shoes and dark sunglasses , and carried a black shoulder bag that reinforced the ensemble’s understated polish.
Her styling was relaxed yet deliberate: loose hair , minimal accessories , and a smile that softened the nighttime setting , as she exited through a gate flanked by suited companions. The moment projected public appearance-coded restraint , where comfort meets presence.
Jurnee Smollett wore a sleeveless dark red gown with a draped neckline at the WIF 2025 Honors in Beverly Hills on November 6.
At the WIF 2025 Honors held at The Beverly Hilton in Beverly Hills on November 6 , Jurnee Smollett arrived in a look that fused timeless elegance with red carpet clarity. She wore a floor-length dark red gown , featuring a sleeveless cut and a softly draped neckline , styled with minimal accessories that allowed the silhouette and color to dominate the visual field.
Her styling was deliberate and restrained: natural makeup , pulled-back hair , and a clean neckline , reinforcing the gown’s editorial simplicity. The Max Mara and WIF-branded backdrop framed the moment as both celebratory and fashion-forward, while Smollett’s presence injected a note of cinematic poise.
Ariana Grande wore a dramatic black and white gown outside the private premiere of “Wicked: For Good” in Paris on November 7, 2025.
Outside the private premiere of “Wicked: For Good” in Paris, France on November 7, 2025 , Ariana Grande arrived in a look that fused theatrical grandeur with event appearance-coded clarity. She wore a voluminous black gown with a sweeping white underlayer , styled with long sleeves, a structured silhouette, and a high-contrast palette that echoed the musical’s duality.
Escorted through a wrought-iron gate by suited attendants, Grande’s entrance felt cinematic—less red carpet, more operatic reveal. The gown’s layered construction and exaggerated volume projected media event-coded punctuation , where every fold and contrast was calibrated for visual impact.
