Natalie Portman wore a Dior Spring 2026 blouse with a pouffy pastel miniskirt and black pumps at the Black Swan screening during the 2025 Lumière Festival.
On October 13, 2025, Natalie Portman attended the Black Swan screening during the 17th Film Festival Lumière in Lyon, France, where she also participated in a Master Class discussion of her career. A longtime Dior ambassador, Portman wore a look from Jonathan Anderson’s debut collection for the house: a silky black long‑sleeved shirt with a sharp collar, paired with a pouffy miniskirt in pastel shades of blue, pink, and gray. The skirt’s feather‑like texture evoked ballet costuming, a deliberate nod to her Oscar‑winning role in Black Swan . She completed the look with Dior Spring 2026 pumps featuring coquettish bow details, along with simple silver earrings. Her brunette hair was styled in soft curls with a middle part, keeping the focus on the dramatic silhouette of the outfit.
The Lumière Festival honored Portman as a guest of distinction, screening Black Swan as part of a retrospective of her work. The timing was poignant: fifteen years after the film’s release, Portman reflected on its impact while also promoting her new projects, including producing the sci‑fi fantasy Arco . Her Dior ensemble aligned with the festival’s dual purpose — celebrating cinematic history while spotlighting contemporary artistry. Jonathan Anderson’s Spring 2026 collection, unveiled weeks earlier at Paris Fashion Week, emphasized “harmony and tension,” a theme that resonated with Portman’s choice. The tutu‑like skirt was both playful and referential, blurring the line between homage and costume.
This ensemble succeeds by leaning into theatricality. The feathery pouf skirt provided a visual callback to Black Swan , while the tailored shirt grounded the look in structure. The pumps, with their bow details, reinforced the ballet motif without tipping into parody. If there is a critique, it is that the proportions risked awkwardness in a seated setting, where the skirt’s volume could overwhelm. Yet this tension is also what made the look memorable: it embodied Anderson’s stated play between harmony and disruption.
The sharp insight here is that Portman’s appearance demonstrates how fashion at film retrospectives can serve as a form of meta‑narrative — clothing becomes a commentary on the very role being celebrated. It is a refined presentation, one that situates her as both subject of cinematic history and participant in Dior’s evolving story.
Olivia Ponton wore multiple high‑fashion looks styled with the Coach Tabby bag during the October 2025 campaign photoshoot, blending modern tailoring and playful femininity.
In October 2025, Olivia Ponton fronted the Coach Tabby bag campaign , appearing in a series of editorial images that highlighted the versatility of the brand’s signature accessory. Across the shoot, she carried a white Coach Tabby bag with a gold clasp , styled against three distinct outfits:
- Look 1: A fitted, long‑sleeve black outfit paired with the structured white Tabby bag, the contrast emphasizing the accessory as a focal point.
- Look 2: An off‑shoulder, asymmetrical light gray jacket with oversized cuffs, styled with white pants and the same Tabby bag, photographed on a rooftop with a cityscape backdrop.
- Look 3: A shiny pink satin dress with a bow detail on the shoulder, where the Tabby bag was held front‑and‑center, reinforcing its role as the campaign’s anchor.
The varied settings—from urban glass facades to open rooftops and studio portraits—underscored the bag’s adaptability across contexts, situating Ponton as both muse and modern style interpreter in celebrity photos .
The campaign reflects the broader cultural moment where heritage accessories are reimagined for Gen Z consumers . The Tabby bag, long a staple of Coach’s archive, was reframed here as a versatile companion—equally at home with minimalist tailoring, architectural outerwear, or playful satin. Ponton’s styling choices tapped into the current fascination with modular fashion storytelling , where a single accessory anchors multiple moods. The rooftop shot in particular suggested the aspirational urban lifestyle that Coach seeks to align with, while the pink satin look leaned into the performative glamour of social media‑ready imagery.
Alexandra Grant wore a navy halter gown with jeweled collar while Keanu Reeves paired a dark suit with hiking boots at the Good Fortune New York screening in 2025.
