Natalie Portman’s fiery red knit look (paired with co-star Ugo Bienvenu) at the Collider Media Studio offered a vibrant contrast to the typical muted-tone Toronto press circuit.
While the red carpet often feels like a stage for grand theatricality, a press day can offer a more intimate, revealing glimpse into a celebrity’s personal style. Natalie Portman’s appearance at the Collider Media Studio for Arco was a case in point. The actress, known for her sharp and sophisticated fashion choices, traded a sweeping gown for a vibrant, textured look that felt both cozy and incredibly chic. It was a masterclass in how to command a room without a single sequin.
Portman wore the Jacquemus “Le Castagna” knit cardigan dress , a piece from the brand’s collection that immediately stood out. The bold, fiery red color was the star of the show, a confident hue that popped against the neutral backdrop. The fabric had a ribbed, almost tactile quality that added a layer of depth and interest. The dress featured a high, mock-neck collar and a fitted, cropped top that flowed into a subtly A-line skirt, creating a modern and flattering silhouette. The most notable detail was the button-down front, which she left partially open to reveal a glimpse of a simple white top underneath, adding a nonchalant, lived-in feel to the high-fashion piece.
Portman kept her styling as effortless as the look itself. She paired the vibrant dress with understated white sneakers, a choice that immediately anchored the outfit in a relaxed, cool-girl aesthetic. Her only notable accessory was a pair of delicate drop earrings that provided a hint of sparkle without competing with the bold red. For her hair and makeup, she opted for a natural, pared-back approach: her dark hair was styled in a casual, wavy bob and her makeup was fresh and radiant, with a nude lip and minimal eye makeup. The overall impression was one of comfortable elegance, a perfect example of modern celebrity fashion .
Anya Taylor-Joy’s velvet gown, a darkly romantic moment at The Hollywood Reporter’s portrait studio, solidified her status as a singular voice in contemporary celebrity fashion.
There’s a special kind of magic in a portrait studio. Away from the flashing bulbs of the red carpet, a celebrity can truly inhabit a look, giving the clothes room to breathe and tell their own story. For Anya Taylor-Joy, her session for The Hollywood Reporter at TIFF was no exception. Known for a style that dances between ethereal and avant-garde, she delivered a masterclass in gothic glamour—a look that felt both timeless and utterly of the moment.
Taylor-Joy wore a black velvet gown that showcased the fabric’s rich, light-absorbing quality. The deep black created a striking contrast against her porcelain skin and signature blonde hair. The dress featured a classic square neckline and thick straps, with a structured bodice that cinched at the waist. From there, the skirt flowed down in a sleek, uninterrupted column, giving the entire silhouette a long, lean line. The simplicity of the cut allowed the luxurious texture of the velvet to take precedence, proving that a well-chosen fabric can be a powerful statement in itself. The gown was an exercise in restrained decadence, a quiet rebellion against the ornate.
The actress accessorized with a delicate, yet impactful, selection of jewelry. She wore a Tiffany & Co. Pearl & Diamond Victoria Necklace —a thin strand of pearls and diamonds that rested just at the base of her neck. The contrast of the luminous pearls and brilliant diamonds against the dark velvet was a perfect visual synergy. Her shoes were Aquazzura Olie Sandals , elegant black heels that maintained the look’s sophisticated and clean aesthetic. Her long, platinum-blonde hair was styled in soft, loose waves, providing a romantic counterpoint to the structured dress. With a bold red lip and a subtle, dark eye, her makeup amplified the dark romance of the outfit, creating a cohesive narrative from head to toe.
Portman’s stunningly simple black mini dress—a study in modern minimalism—offered a powerful masterclass in quiet confidence and understated glamour at the Toronto International Film Festival.
An elegant black dress can be the most revolutionary garment on the red carpet, a stark counterpoint to the more-is-more approach that dominates Hollywood events. So it was with Natalie Portman, who stepped out for the premiere of Arco in a look that felt both classic and defiantly modern. Her style for the night was a powerful reminder that true star power often lies in what is left unsaid, in the clean lines and impeccable tailoring of a single, striking piece.
Portman wore the Jacquemus Pesce Draped One-Shoulder Mini Dress , a sculptural piece that perfectly blended sleekness with an architectural flourish. The black fabric had a subtle matte finish, allowing its unique silhouette to take center stage. The dress featured a draped, one-shoulder design with a single delicate spaghetti strap on the opposite side, creating a striking asymmetrical effect. The body-hugging cut accentuated her figure, while the mini length kept the look youthful and dynamic. It was an outfit that prioritized form and movement, a testament to the power of a perfectly executed design.
Portman completed her minimalist look with a few key, yet impactful, accessories. Her shoes were the classic Jimmy Choo Minny Sandals, a perfect choice that offered height without distracting from the dress. She kept her jewelry simple, opting for delicate drop earrings and a ring. Her hair was pulled back in a sleek bun, a decision that let her face—and the dress’s neckline—shine. Her makeup was equally refined, with a soft smoky eye and a nude lip that complemented the overall quiet luxury of the ensemble. Every element worked together to create a cohesive and confident vibe, a style that speaks for itself. For more on how celebrities are embracing effortless glamour, you can check out our articles on celebrity style .
