Natasha Lyonne wore a black sequined long‑sleeve top with flared pants at the 31st Annual Critics Choice Awards in Santa Monica 2026.
Santa Monica, January 4th. The carpet lined with logos — FIJI, milagro, Critics Choice Awards stamped across the backdrop. Natasha Lyonne stepped into that frame in a look that felt both sharp and playful.
Black sequins, head to toe. A long‑sleeved top, fitted but not stiff. Flared pants breaking wide at the hem, catching the light with each move. The outfit leaned into texture, not embellishment. Sequins scattered across fabric, more grit than glitter.
Hair styled loose, jewelry not obvious. No clutch, no fuss. Just the outfit itself, carrying presence through cut and shine. It wasn’t a gown moment, it was something else — a suit’s energy, but softened by sequins.
Kate Hudson wore a strapless red gown with a high slit while presenting onstage at the 31st Annual Critics Choice Awards in Santa Monica 2026.
Santa Monica, January 4th. The stage lit with star‑shaped lights, a burst of red glow overhead. Kate Hudson stood behind the microphone, card in hand, gown catching the spotlight.
Red, strapless, floor‑length. The slit cut high, fabric folding cleanly down the front. Shoulders bare, neckline straight, hair styled loose enough to soften the sharpness of the dress. It wasn’t overloaded with detail — no sequins, no heavy jewelry. Just color and cut, direct and unfiltered.
The card read “Critics Choice Awards.” Hudson’s stance steady, one hand holding, the other relaxed. The gown moved with her, not against her. A look that felt functional for the stage but still striking.
Erin Doherty wore a sculptural mint green satin gown with white pointed pumps to the 2026 Critics Choice Awards ceremony.
Erin Doherty is standing on the dark carpet at the Barker Hangar. It is January 4, 2026. She is wearing a dress that looks less like clothing and more like a piece of complex origami. It is strapless, rendered in a high-shine satin the color of spearmint toothpaste or perhaps a vintage Cadillac. The silhouette is the main character here—a fitted bodice that explodes into a structured, angular bubble skirt, tapering back in at the ankles. It is a sharp, geometric interruption in the usual flow of liquid celebrity style .
