Natasha Lyonne wore a sequined black gown with sunglasses at the Red Sea Film Festival premiere in Jeddah.
Natasha Lyonne attended the premiere of “Giant” at the Red Sea International Film Festival in Jeddah on December 4, 2025, wearing a sequined black gown that fused retro glamour with architectural texture. The full-length silhouette , defined by horizontal striped panels and a high neckline , offered a sculptural take on red carpet dressing — a gesture that reframed sparkle as structure.
The short sleeves , slightly flared and structured, added a note of vintage formality, while the sequins caught light in rhythmic intervals, turning the gown into a visual score. Her sunglasses , paired with large earrings , multiple bracelets , and rings , signaled a deliberate refusal to play by conventional red carpet rules — this was not about demure elegance, but about presence.
Dua Lipa wore a gold sequined bodysuit with chains and gloves for her Madison Phipps photoshoot.
Dua Lipa posed for Madison Phipps in a theatrical gold bodysuit on December 4, 2025 — a look that fused cabaret excess with editorial precision. The sequined base , densely packed and reflective, served as a canvas for layered gold chains , brooches , and a belt that transformed the outfit into a wearable sculpture. This wasn’t just a fashion spread . It was a performance costume reimagined for the lens.
The long black gloves and fishnet stockings added a note of vintage burlesque, anchoring the look in stage tradition while amplifying its modern edge. The dark backdrop sharpened the contrast, turning the gold into pure visual rhythm — a styling move that made the outfit feel kinetic even in stillness.
Larsen Thompson wore a silver dress with strappy heels at Lamborghini’s Ad Personam launch in Miami Beach.
Larsen Thompson attended Lamborghini’s Ad Personam Temerario unveiling in Miami Beach on December 3, 2025, wearing a silver dress that fused automotive futurism with nightlife glamour. The form-fitting silhouette , rendered in reflective metallic fabric , featured intricate bodice detailing and thin straps — a gesture that reframed partywear as sculptural precision.
Her strappy high-heeled sandals extended the outfit’s logic: sleek, minimal, and engineered for movement. The choker necklace added a note of edge, anchoring the look in early-2000s revivalism. The lighting , bouncing off the dress’s surface, turned the garment into a kinetic object — not just worn, but activated.
