Natasha Lyonne wore a sequined halter gown and cat-eye sunglasses at the Red Sea Women in Cinema event.
Natasha Lyonne attended the Women in Cinema event at the Red Sea International Film Festival in Jeddah on December 5, 2025, wearing a sequined halter gown that fused retro glamour with red carpet irreverence. The floor-length silhouette , sleeveless and shimmering, reframed event appearance logic as cinematic punctuation . The black cat-eye sunglasses weren’t just accessories — they were attitude armor .
Her black and gold handbag , paired with multiple rings , a bracelet , and a wristwatch , turned the look into a study in accessory layering . This wasn’t just a fashion show guest . It was a media event presence engineered for visual command.
Nina Dobrev wore an off-shoulder buttoned dress for Deadline’s Red Sea Film Festival photo studio.
Nina Dobrev posed for Deadline’s Red Sea International Film Festival photo studio in December 2025, wearing a look that fused editorial elegance with architectural restraint. The dark off-the-shoulder dress , detailed with buttons along the front and cuffs , reframed studio portrait logic as fashion sculpture . The long sleeves and structured neckline created a silhouette that felt both cinematic and composed.
Her loose updo and smiling pose , with one hand resting on her chin, softened the garment’s formality, turning the image into a beauty shot engineered for intimacy. The stool — ribbed, round, and wooden — echoed the dress’s verticality, while the cracked wall and window frame behind her added a note of textural contrast .
Heidi Klum wore multiple Calzedonia tights and hosiery styles for the brand’s Party Kollektion shoot in December 2025.
Heidi Klum fronted Calzedonia’s Party Kollektion campaign in December 2025, captured across Parisian interiors and street scenes in a series of hosiery-driven looks. The campaign reframed fashion photoshoot logic as editorial choreography , with tights and stockings elevated from accessory to protagonist.
LOOK 1: Ornate Room — Dotted Line Drama
Klum wears a black fitted long-sleeve top and short skirt , paired with sheer black tights featuring a vertical dotted line down the back of each leg. The pose — hands on hips, gaze over shoulder — turns the tights into a graphic punctuation mark . This wasn’t just a styled shoot . It was a beauty shot engineered for architectural tension.
LOOK 2: Living Room — Burgundy Lounge Logic
Klum lies on a beige carpet in a burgundy top , burgundy leather shorts , and patterned lace tights , paired with high heels . The domestic setting — fireplace, sectional sofa — becomes a foil for holiday sensuality . The tights’ texture plays against the room’s softness, turning interior styling into visual tension .
LOOK 3: Balcony — Urban Burgundy
Klum poses at dusk in a burgundy oversized top , shiny burgundy leggings , and matching heels . The city lights and street blur behind her, amplifying the outfit’s tonal saturation. This was Calzedonia hosiery as urban punctuation — a look that doesn’t whisper holiday, it declares it .
LOOK 4: Corridor — Bodysuit Noir
Klum stands in a vaulted corridor wearing a black bodysuit , sheer embellished tights , high heels , and a long black leather coat . The lighting — dramatic and directional — turns the tights into sparkle architecture . This was Calzedonia hosiery as noir sculpture .
LOOK 5: Rue de Castiglione — Parisian Crosswalk Couture
Klum walks across a Parisian crosswalk in a black leather double-breasted blazer , floral-patterned black tights , and black heels . The empty street and classical architecture amplify the outfit’s power dressing logic . The tights — floral yet fierce — become the soft edge of a hard silhouette.
