Natasha Lyonne wore a diamond-patterned top with a sheer black organza skirt at the Armani Beauty Luminous Silk event in Los Angeles.
At the Armani Beauty celebration in Los Angeles, Natasha Lyonne arrived in something that looked both deliberate and disheveled — like eveningwear stitched too tight to feel soft.
The top half of her look: fitted and geometric, made from a dense black-and-white textile with a subtle diamond grid that sat squarely on the torso. The neckline: sharp-plunging but short, cut into a sculpted dip that anchors the whole structure. Short sleeves, no fluff. This wasn’t playing dress-up.
Below the waist, things got looser — messier, even. She wore an inky sheer black organza skirt, semi-transparent, pooling softly around her legs but revealing everything beneath: pants, boots, the structure holding it all up. It interrupted the formality just enough to call attention. Not traditional elegance. Too ghosted for that. But poetic in its own way, like a x-ray of an outfit.
Ali Larter wore a metallic tailored suit with pointed black heels at the Armani Beauty Luminous Silk event in Los Angeles 2026.
At the Armani Beauty Luminous Silk celebration in Los Angeles on January 15, 2026 , Ali Larter stood out by leaning full tilt into the precision of tailoring. She wore a structured metallic pantsuit–mid-bronze under warm light–that caught reflections like brushed metal. The jacket, cut deep and lined cleanly through the shoulders, framed a deliberate open neckline; the trousers pooled barely at the ankle, paired with sharp, black suede heels.
The look felt confident but unfussy–no necklace, no sparkle, just the sheen of the fabric doing all the work. Hair slicked back, clean makeup, nothing competing for attention. Around her, low amber lighting and glass fixtures made the suit glow even more. Every detail worked toward restraint, which, paradoxically, created the drama.
Georgie Murphy wore a gray sleeveless mini dress with silver heels at the Ponies premiere in New York City on January 14, 2026.
At the New York City premiere of Peacock’s Ponies , Georgie Murphy stepped onto the carpet with quiet structure. Sharp but not loud. Minimal, but not flat.
She wore a sleeveless gray mini dress — tailoring-inspired, fitted like a vest but styled as a single-piece silhouette. The bodice features a strong V-neckline and structured shoulders, with a clean row of sparkling decorative buttons down the center. The hem hits mid-thigh, but it’s softened by one unexpected element: a crisp, white pleated trim that peaks out from the bottom, breaking the uniformity just enough to add dimension. Almost like shirting reimagined as petticoat ruffle.
Her legs — bare, natural-toned — grounded in a pair of pointed silver stiletto heels that added polish without pulling attention. No platform, no wild sculpt. Just that clean metallic taper. Jewelry stayed minimal — small sparkling studs, a thin bracelet on one wrist, nothing distracting.
Hair? Brushed out and softly waved, parted center. Makeup kept close to the skin — flushed cheeks, brushed brows, a lip slightly glossier than nude. No dramatic wings, no bold lipstick. This wasn’t a transformation look. It was a refinement.
