Natasha Lyonne was seen leaving Chateau Marmont in Los Angeles on January 21, 2026, wearing a fur-collared leather jacket and black silk pants.
The tiles shine wet under the night lights, a faint echo of old Hollywood mood. Natasha Lyonne walks out arm in arm, smiling, curls in full command of the scene — that unmistakable red halo catching every stray flash.
She’s layered in a black leather jacket with a wide cream fur collar , half-zipped for air and attitude. The contrast — soft lining against slick surface — feels very her, scrappy luxury. Below, loose black satin trousers with crisp white piping skim over dark suede boots , the subtle movement of fabric playing against the street’s wet reflection.
A gray Ventura baseball cap keeps it nonchalant, tipped forward just enough to blur the celebrity veneer into something sharper, cooler. The sunglasses (at night, of course) seal it off with signature irony. And then there’s the pop — a structured mustard-yellow Valentino shoulder bag , squarish and bright like a deliberate punctuation mark against an all-black rhythm.
Rosé appears in ELLE Korea’s February 2026 issue, styled in multiple bold outfits with layered textures and urban contrasts.
The February 2026 issue of ELLE Korea places Rosé in a sequence of frames that lean into confidence and texture, each outfit distinct, each pose deliberate.
One cover shows her in a black leather jacket paired with a beret, white collared shirt underneath. Hair loose, styled up, the look sharp but not overdone. It feels like street style , elevated yet casual chic.
Another frame shifts tone. A voluminous gray dress with dramatic sleeves, accessories heavy–earrings, necklace. She sits poised, heels visible, the ruffles swallowing space. It’s less about glamour, more about presence.
Then a mustard-yellow trench coat, shiny, belted at the waist. Bouquet of pink flowers in hand. Against black backdrop, the outfit pops, playful but structured.
A darker editorial follows. Black leather trench coat, sheer tights, white heels, leather cap. Seated on a couch, legs crossed. Minimalist, almost severe, but softened by posture.
Finally, a burnt-orange gown, ruffled and layered, voluminous. Statement earrings, hair slicked back. The gown dominates, the plain background letting color and texture carry the weight.
Olivia Rodrigo and Tate McRae were seen leaving a Studio City gym on January 22, 2026, wearing casual athleisure pieces and minimal makeup.
Morning gray, brick walls, Los Angeles residue. Olivia Rodrigo and Tate McRae walk side by side, both fresh from training — faces flushed, hands full, steps light in that post-workout calm.
Olivia’s look keeps to Alo Yoga Airlift Intrigue Sports Bra and soft gray knit shorts , easy and fitted. She carries an armful of layers — a jacket half off one shoulder, a Stanley Quencher H2.0 Flowstate Tumbler dangling alongside her phone. At her side, a Miu Miu Caprice Leather Clutch adds a small spark of polish among the gym gear. Hair pulled back, skin untouched except for the faint rose of effort.
Tate opts for classic monochrome — black Chrome Hearts tank top paired with stretch leggings that cuff just above her running shoes. She carries a Miu Miu Solitaire Leather Shoulder Bag tucked neatly under-arm, grounding the athletic vibe with quiet designer weight. Over her arm is a loose Acne Studios Logo Bomber Jacket , an undone choice that works purely because it isn’t trying.
They both wear sneakers — functional, worn in — and that universal Los Angeles look of someone who doesn’t need a stylist to hit the gym. The small details matter here: gold hoops catching dull light, tangled ponytails, sleeves tucked into straps. It feels lived-in, not performed.
