Nell Fisher wore a sleeveless beaded black dress with lace-up boots for her appearance on The Tonight Show Starring Jimmy Fallon on January 22, 2026.

Backstage blue walls, steady studio light, that casual waiting-before-the-cameras mood. Nell Fisher stands relaxed, one foot slightly ahead, fingers clasped at her waist — the nervous-energy stance of someone very young but fully self-possessed.

Her dress is black, covered in a scatter of white-silver embellishments, precise like fireworks stilled mid-blast. The cut is sleeveless, high-necked, the beadwork tight up top and looser near the hem. It’s a piece that doesn’t ask for drama — it already holds its own rhythm. Below, thick black tights and lace-up boots cut the shine down to earth. That pairing gives it grit, makes sure the sparkle doesn’t float away into make-believe.

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Hair down, soft and parted; makeup light — a rosy lip, bright eyes, nothing forced. The look reads fun but grounded , very much a teenager on a late-night show who still looks like herself.

This is what modern youth red-carpet style has evolved into: sincerity dressed up. Less about impressing the adults, more about feeling comfortable amid the glitter.

Xochitl Gomez wore a structured red gown with matching pointed heels to the Wonder Man launch event in Hollywood on January 22, 2026.

The red carpet matched her dress almost perfectly — same hue, same energy. Xochitl Gomez stood centered against the black backdrop, framed by the bold yellow Wonder Man lettering. The effect was clean, intentional.

The gown itself, sculptural and unforgiving, formed heavy folds near the neckline that extended into angled shoulders — like controlled wings. It wasn’t soft, not meant to be. The cut hugged through the waist and fell straight, neither dramatic nor relaxed, just firm, confident. Matching red stilettos anchored the look with quiet precision.

Hair was sleek, pulled back with a side-swept bang softening the geometry. Her makeup stayed minimal but defined: strong liner, warm rose tones, a neutral sheen on the lip. The jewelry — small hoops, one or two rings — stayed understated, letting the dress carry the power conversation.

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Natalie Portman wore Tiffany & Co. Hardwear jewelry while filming a commercial in Central Park, New York City on January 22, 2026.

The shot catches stillness more than sparkle. Inside a parked car framed by cold reflections, Natalie Portman sits poised, eyes steady on something just outside the frame.

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