Nell Fisher stuns in a soft glam beauty look with pink lids, glossy lips, and radiant skin for her L’Beaute Magazine spread in February 2026.
For the February 2026 issue of L’Beaute Magazine , Nell Fisher embraced a kind of candy-flushed surrealism—equal parts delicate and polished. Her eyes are rimmed in rosy shadow , dabbed with cool lilac liner on the lower lash that melts into her pale blue stare like watercolor bleeding into fresh paper.
It’s playful but not loud. Skin is glistening , but not in that hyper-highlighted way. This is lit-from-within territory. Her blush traces softly across the upper cheekbone, almost disappearing into the skin, while lips are kept glossy and bare-pink , slick but restrained. The brows? Natural, brushed up, unapologetically present—but not overly shaped.
Hair is tied back into an understated updo—strands loose around the face in a way that softens everything else. The styling leans into the futuristic fairytale: metallic pink fabric , structured folds , and a translucent flowered collar that looks torn from a digital couture sketchbook. But none of it screams.
Instead, the whole portrait hums.
She looks like the moment right after a blush, caught in focus before it fades.
Charli XCX wore a sheer black lace dress with boots, rings, and a Saint Laurent clutch to the W Magazine Grammy after party on February 1, 2026.
At Bar Marmont on February 1st, 2026, for the Saint Laurent x W Magazine Grammy after party, Charli XCX served a look that knew exactly what it was doing. Drama without noise. Darkness without effort.
Her outfit? An all-black lace dress , sheer from shoulder to hem, hugged in just the right places. Long sleeves. Sweetheart shaping across the bust. Scalloped edging all down the center, split open with a thigh-high slit that did nothing to hide intention. It showed everything and nothing at the same time.
On her feet: Saint Laurent Nico platform boots — tall, chunky, unapologetically solid. The grounded base to an otherwise delicate mess of lace filigree. In-hand, she carried the Saint Laurent Kate clutch , patent leather shining under warm bar lighting. On her fingers, a stack of flash: Chrome Hearts Vintage 1992 Diamond & Sterling Ring paired with a Chrome Hearts Oval Cross Ring , adding weight and a little menace. A final flicker—on her left ring finger, the Claude Morady Solitaire . Not flashy. Just there.
Her hair: parted clean, the kind of thick, brushed-out waves that look undone but careful. Brows and liner clean, lips softly glossed. Everything about her look said the same thing: Don’t mistake quiet for soft.
Yerin Ha and Luke Thompson posed for Netflix Tudum’s 2026 editorial shoot in layered city looks with playful details and classic textures.
For Netflix’s Tudum 2026 editorial shoot, Yerin Ha and Luke Thompson leaned into that mid-season mood: in-between weather, early afternoon light, and outfits built to hold some contradiction.
Yerin Ha is the scene stealer, obviously. Boxy brown leather jacket , cropped right below the ribs, layered over a white tee, sleeves slightly pushed. Below, a mini skirt in a classic plaid check —muted camel, black, gray—and a subtle A-line cut. Burgundy socks scrunched mid-calf and worn with dark patent loafers give the whole thing a prep-gone-indie twist. But then there’s the pink umbrella. She’s barely holding it, just letting it float above her like punctuation. Hair down, parted natural. Face clean, unfussed. She looks like she got caught in the weather and styled herself through it.
Luke Thompson stands off to the side, casual to the core but still deliberate. Double denim underneath a long beige overcoat , with the collar of the button-down open over a soft blue tee. Jeans slightly baggy. White sneakers grounded the palette, loosening the entire frame. His hands are behind his back, leaning casually—but there’s a kind of tension in the posture, like a moment just before something.
Together, it feels like a mid-scene film still, not a photoshoot. Less about posing, more about holding the space between two people—and everything unsaid.
