Nell Fisher wore a green and white striped button-up shirt for her NetflixUK Stranger Things season 5 photoshoot in December 2025.
Nell Fisher for NetflixUK, Stranger Things season 5, December 2025. She’s standing in front of a deep red velvet curtain, arms relaxed, gaze steady, not a hint of nerves. The look is pure photoshoot –a green and white striped button-up shirt, sleeves long, collar open, nothing fussy. The fabric is crisp, the stripes are bold, the whole thing feels a little bit retro, a little bit “I just woke up and wandered onto set.”
Her hair is long, parted in the middle, falling in soft waves over her shoulders. Makeup is minimal–just a flush of pink on the cheeks, lips a natural rose, brows brushed up. No jewelry except for small earrings, no wild accessories, just the shirt and the attitude. The background is all drama, but the vibe is quiet, almost contemplative.
This is a look that leans into editorial energy–simple, styled, but never stiff. For those who follow celebrity photoshoot , it’s a reminder that sometimes the best move is to keep it stripped back–one good shirt, one great backdrop, and a little bit of mood.
She could be anywhere–a studio, a theater, or just lost in her own thoughts. Today, she’s here, and the stripes do all the work. The rest is just velvet and silence.
Emilia Clarke wore a black hooded top and skirt, while Haley Lu Richardson wore a yellow floral suit at the Ponies billboard event in NYC.
Emilia Clarke and Haley Lu Richardson visit a “Ponies” billboard in Times Square, New York City, January 15, 2026. Two friends, hand in hand, caught mid-laugh on a crosswalk. Haley (left) is in a yellow floral suit–fitted jacket, matching skirt, the print a riot of birds and blossoms, a little bit vintage, a little bit “grandma’s couch but make it fashion.” Nude heels, bare legs, hair loose and wavy, face open and beaming.
Emilia (right) is the opposite–urban, almost severe. She’s in a black fitted turtleneck, long sleeves, a matching black wrap skirt tied at the waist, and a hood pulled up over her hair. Black sunglasses, black strappy heels, everything sharp and minimal. Her smile is half-hidden, but the energy is unmistakable: she’s having fun, even if she’s dressed for a spy movie.
This is a look that leans into public appearance energy–one side bright and maximal, the other dark and pared back. For those who follow event appearance , it’s a reminder that sometimes the best move is to show up as yourself, even if that means you and your friend look like you’re starring in two different movies.
They could be anywhere–a premiere, a brunch, or just lost in the city. Today, they’re here, and the contrast does all the talking. The rest is just New York noise and a billboard overhead.
Sophie Turner wore a combat-core outfit–tank top, utility shorts, and holsters–for her Tomb Raider series photoshoot in 2026.
Sophie Turner steps into a different universe here. Gone are the couture gowns and press junket smiles–this is Lara Croft mode . In the frame, she’s all utility and discipline: dark green tank top, high-waisted utility shorts, and the familiar harness rig crossing the torso. Leather gloves, holstered weapons, even the metallic buckle catching light–all pieces you can almost hear rattle. A photoshoot but with its own narrative weight.
She wears red-tinted round sunglasses, a tiny anachronism that makes the look feel cinematic rather than cosplay. Hair pulled back roughly, wisps left free to soften the edges. Her expression is concentrated but not posed–a moment snatched between movement and intent. This is how you update a 90s game icon without chasing nostalgia.
