Nicole Scherzinger wore a Gucci Cruise 2011 strapless dress with Marli Cleo diamond jewelry for Variety’s Power of Women October 2025 cover.
For the October 2025 Power of Women issue of Variety , Nicole Scherzinger appears in a strapless, form-fitting white dress from the Gucci Cruise 2011 collection , seated against a backdrop of green and blue plaid carpet and warm wood textures. Her pose — one hand resting on her head, the other on her knee — evokes both introspection and command, a visual metaphor for the editorial’s theme of feminine influence.
Her accessories are a masterclass in diamond layering: the Marli Cleo Rev Full 6 Ct Diamond Slip-On Bracelet , the Marli Cleo Full Diamond Drop Collar Channel Set Necklace , a second Slip-On Bracelet , the Full Diamond Ring , and Teardrop Diamond Drop Earrings in 18Kt White Gold . Each piece adds tonal brilliance without overwhelming the silhouette, reinforcing the look’s editorial clarity.
Scherzinger’s styling reflects the 2025 editorial trend of legacy-coded minimalism , where garments from past collections are recontextualized to speak to present narratives. The Gucci dress — clean, sculptural, and unembellished — becomes a vessel for symbolic weight, especially when paired with jewelry that signals achievement rather than excess.
The Power of Women feature positions Scherzinger not just as a performer, but as a cultural force. The choice of a 2011 Gucci piece — a year that marked the brand’s pivot toward architectural femininity — aligns with her own evolution from pop provocateur to philanthropic advocate. The jewelry, all from Marli’s Cleo line, adds a layer of diamond-coded agency : each piece worn not for adornment, but for punctuation.
This shoot also plays with contrast: the plaid carpet, traditionally masculine-coded, grounds the look in editorial tension. It’s a reminder that power dressing in 2025 isn’t about shoulder pads or severity — it’s about precision, legacy, and the ability to command space without noise.
Kate Hudson wore The New Arrivals Ilkyaz Ozel Isis Maxi Dress for her October 2025 editorial photoshoot with Variety’s Power of Women issue.
For the October 2025 Power of Women issue of Variety , Kate Hudson appears in a shimmering, light pink maxi dress from The New Arrivals Ilkyaz Ozel Isis collection , styled with thin straps and a fluid silhouette that hugs the body without constraining it. Leaning against a white surface, framed by a patterned carpet and soft blue curtain, Hudson’s pose is relaxed yet composed — a visual embodiment of grace under spotlight.
The dress’s subtle sheen and minimalist cut allow the fabric to speak in motion, catching light without demanding it. Her hair is styled in soft waves, and the makeup is kept neutral, reinforcing the editorial’s tonal restraint. This is not a red carpet spectacle — it’s a studio portrait engineered for resonance.
Emma Corrin wore a monochromatic off-white cowboy-inspired outfit for the November 2025 editorial photoshoot with GQ UK.
For the November 2025 issue of GQ UK , Emma Corrin appears in a monochromatic off-white ensemble that fuses Western iconography with editorial minimalism. The look features a wide-brimmed cowboy hat , an oversized jacket , and a cropped tank top adorned with a small heart emblem — a visual punctuation that softens the otherwise stark palette.
The styling is relaxed but deliberate: the jacket worn open, the tank revealing midriff, and the silhouette leaning into slouch rather than structure. In the inset image, Corrin walks with hands in pockets, reinforcing the off-duty ease that defines the shoot’s tone.
Corrin’s outfit channels the 2025 editorial trend of cowboy-coded minimalism , where Western motifs are stripped of their ruggedness and reimagined through clean lines and tonal restraint. The absence of embellishment allows the silhouette to speak — oversized but not overwhelming, casual but not careless.
The accompanying editorial text frames Corrin as a master of comfort-driven style, with a wardrobe full of slouchy trousers , oversized shirts , and vintage tees . Their willingness to throw in a cowboy hat or Crocs underscores a fashion philosophy rooted in contradiction: playful irreverence meets curated cool.
This shoot also coincides with Corrin’s starring role in Orlando at London’s Garrick Theatre, a production that explores gender fluidity and identity across centuries. The fashion spread subtly echoes that narrative — the cowboy hat, once a symbol of masculine frontier grit, becomes a gender-neutral accessory of self-expression.
