Nikki Bella wore a lace-up crop top and relaxed baggy jeans to 50 Cent’s HWood Super Bowl party at 1 Hotel SF on February 6, 2026.
She wore a white sleeveless crop top , tight and slightly sheer, with a center lace-up detail that added a hit of flirt without doing too much. The hem hit just below the bustline, effortlessly paired with a pair of low-slung, ultra baggy jeans that take strong cues from retro TRL -era denim — mid-wash, side paneling, slightly distressed at the cuff from actual use, not styling.
Shoes? Mostly hidden under all that denim, but it looked like a neutral sneaker situation — not the moment, just functional. Hair was left long and parted down the center, sleek and straight, doing most of the visual work. Minimal jewelry, save for a thick cuff and some rings.
Here’s the thing: it’s not reinventing anything. It’s not trying to. But it works for this kind of event appearance — something between club invitation and casual chaos. Comfort-forward with a whisper of Y2K confidence.
Gia Skova wore a red wool coat, cream beanie, and UGG boots while strolling Park City’s Main Street during Sundance’s final weekend, February 2026.
Some looks scream red carpet — this one says, “coffee in-hand and nowhere to rush.” Gia Skova was spotted on Main Street in Park City during the final days of Sundance 2026 , proving that winter fashion doesn’t always need to be sleek to feel sharp.
She wore a fire-red wool coat , flared and collarless, layered over a thick ivory turtleneck that peeked out just enough to break the color block. A cream sherpa hat capped off the warmth up top, giving slight retro vibes but still functioning in that very real Park City chill.
On the bottom? A bit of a layering story. Textured white thermal leggings overlapped with what looked like light-wash denim , both tucked into classic beige UGG boots — worn-in, practical, unapologetically Park City.
The standout practical detail? That taupe Louis Vuitton shoulder bag , oversized and rich in grain, slung casually over the shoulder like it wasn’t worth $2,000 (it probably is). Hair left long and natural, makeup minimal.
Why does it work? Because it’s not about image. It’s a real walk-up-the-street look. One that says yes to warmth and no to performative style. And it still ends up feeling… seriously sharp.
Coco Jones wore a structured corset gown in sheer nude tulle to the 68th Annual GRAMMY Awards in Los Angeles on February 1, 2026.
She didn’t play it safe — and thank God for that. Coco Jones showed up to the 68th Annual GRAMMY Awards on February 1, 2026 , in a dress that immediately asked: “Are we doing pure glamour or architectural fantasy?” Her answer? Yes.
The gown was a blush-toned corset mini fully wrapped in soft nude tulle , forming a trail of asymmetrical drapes falling to the floor. The construction had it both ways — sculpted bodice, exaggerated hips, one-shoulder ruffle drama, and a sheer overlay that gave the whole thing a floating effect. Not delicate. Direct.
It was bold, but not overwhelming. The inner corset structure balanced the volume, and the shorter base hem kept the silhouette visible through all the fabric. She finished it with matching strappy sandals and a healthy dose of confidence.
No necklace. Smart move. Hair stayed glossy, parted down the center — a clean backdrop to soften the look’s edge. Rings gave the fingers some activity, but everything about this fit knew what the star was: the gown, full stop.
Let’s be honest. A look like this can go cartoon real fast. But Coco knows how to own awkward volumes and sharp lines at the same time. This was effort — but smart effort. And it landed.
