Nikki Glaser wore a strapless pink ballgown with a ruched bodice and full skirt at the 83rd Annual Golden Globe Awards in Beverly Hills.
Nikki Glaser at the 83rd Annual Golden Globe Awards, Beverly Hills, January 11, 2026. She stands on the red carpet, hands on hips, smiling, not a hint of nerves. The dress is pure princess–strapless, pale pink, with a ruched bodice and a full, pleated skirt that sweeps the floor. The fabric is satin, a little shiny, but not stiff. No belt, no wild embellishments, just a couple of rings and small earrings.
Her hair is long, parted in the middle, styled in soft waves. Makeup is soft, a little bronzer, lips a muted rose, eyes defined but not heavy. The whole thing feels easy, a little bit retro, a little bit “I just want to have fun.” No drama, no sparkle, just clean lines and a sense of comfort.
This is a look that leans into classic red carpet glamour–big skirt, soft color, but never feels like a costume. For those who follow red carpet fashion , it’s a reminder that sometimes the best move is to keep it simple–one great dress, one great smile, and a little bit of ease.
She could be anywhere–a gala, a wedding, or just lost in the crowd. Tonight, she’s here, and the pink does all the work. The rest is just background noise.
Madison Beer wore a fitted beige top, black shorts, and black heels for her editorial photoshoot with The Sydney Morning Herald in January 2026.
Madison Beer for The Sydney Morning Herald, January 2026. She’s perched on a blue damask bench, legs crossed, one hand behind her, the other resting on the cushion. The room is pale blue, paneled, a little old-world, a little empty. The look is pure photoshoot –a fitted beige top, slightly sheer, with a single shoulder cut-out and faint, abstract prints. Black shorts, high-cut, nothing flashy. Black open-toe heels, sharp, almost severe, but not out of place.
Her hair is long, parted in the middle, falling over one shoulder. Makeup is soft, a little bronzer, lips a muted rose, eyes defined but not heavy. No jewelry, no bag, just the clothes and the pose. The whole thing feels a little bit “model off-duty,” a little bit “caught in between moments.” No drama, no sparkle, just clean lines and a sense of comfort.
Renate Reinsve wore a silver Louis Vuitton custom gown with dramatic fringe at the 83rd Annual Golden Globe Awards in Beverly Hills, January 2026.
Renate Reinsve at the 83rd Annual Golden Globe Awards, Beverly Hills, January 11, 2026. She stands on the red carpet, hands relaxed, gaze steady, not a hint of nerves. The dress is Louis Vuitton Custom Gown –silver, strapless, with a column silhouette and a waterfall of metallic fringe that falls from the neckline to the floor. The fringe moves with every step, catching the light, making the whole look feel like a kinetic sculpture. No belt, no wild accessories, just a couple of rings and a lot of presence.
Her hair is parted in the middle, straight, tucked behind her ears, nothing fussy. Makeup is soft, a little glow, lips a muted rose, eyes defined but not heavy. The whole thing feels a little bit 1970s, a little bit futuristic, but mostly just effortless. No drama, no sparkle overload, just fabric and movement.
This is a look that leans into red carpet fashion –bold, sculptural, but never stiff. For those who follow red carpet fashion , it’s a reminder that sometimes the best move is to let the dress do the talking. The fringe is a conversation starter, the silver is for the cameras, and the attitude is the real accessory.
She could be anywhere–a gallery, a rooftop, or just the last one on the dance floor. Tonight, she’s here, and the fringe does all the work. The rest is just background noise.
