Nina Dobrev wore a fitted black leather midi dress with patterned heels while attending a Sundance Film Festival afterparty in Park City on January 25, 2026.
Inside a warmly lit room buzzing with conversation, Nina Dobrev stood out quietly. She wore a black leather midi dress that traced her frame in clean, deliberate lines — no frills, no distractions. The short sleeves kept the silhouette modern; the matte finish of the leather caught bits of amber light from the bar.
Her snakeskin‑patterned heels peeked through sheer black tights , grounded but still fierce, like punctuation at the end of a finely written sentence. Minimal jewelry — just slim gold hoops and a classic watch — let the material speak. The hair, parted center and straight, framed a smile that looked entirely off‑camera, mid‑conversation, mid‑moment.
Rihanna and ASAP Rocky were spotted in Paris on January 25, 2026, arriving for dinner with friends in casual neutral looks and coordinated street style.
Paris pavement slick after rain, flashbulbs chasing motion. Rihanna steps from the dark, draped in soft gray , her sweatshirt and skirt combination twisted stylishly at the waist. The fabric catches a flash, making even cotton appear deliberate. A black baseball cap pulls her look firmly into late‑night Paris, blocking the light just enough to feel anonymous. In one hand, she carries a white mini Dior bag — polished punctuation on an otherwise quiet palette.
Ariana Grande appears in Vogue Japan’s March 2026 issue, styled in floral-inspired outfits with bold contrasts.
The March 2026 issue of Vogue Japan places Ariana Grande in a series of floral-heavy frames. One shot has her in a crisp white blouse, a massive red bow tied at the collar, tiara perched lightly above. Behind her, a wall of flowers—red, orange, green—crowds the background. It feels less like a studio trick and more like someone pressed her into a garden wall.
Another frame shifts tone. She sits on a wooden floor, off-the-shoulder dress covered in bright blossoms. The tapestry behind her repeats the same theme, flowers layered in dark tones, almost overwhelming. The dress and backdrop blur together, like she’s half-swallowed by the painting.
The third image is quieter. A cream shirt with tiny floral prints, bow at the neck, sheer gloves, oversized earrings. She stands against a pale green wall, floral artwork behind her again. It’s softer, less dramatic, but still tethered to the same motif—flowers everywhere, stitched into fabric, painted into canvas.
Together, the spread doesn’t chase glamour. It leans into repetition, into the idea of being surrounded, maybe even consumed, by florals. Grande doesn’t fight it. She just stands, sits, wears, lets it happen.
