Nina Dobrev wore a navy off-shoulder textured look for her Red Sea Film Festival portraits in December 2025.
Nina Dobrev posed for Red Sea International Film Festival portraits in December 2025, wearing a navy off-shoulder ensemble that fused sculptural tailoring with editorial restraint. The textured fabric , structured through large buttons and a matching belt, created a silhouette that felt both formal and tactile — a look that reframed studio portrait logic as fashion spread minimalism.
The long skirt , fitted and uninterrupted, extended the outfit’s vertical rhythm, while the white ankle-strap heels added a note of contrast without disrupting the tonal focus. Her pose — upright, composed, and slightly angled — suggested someone who understands how to wear control without rigidity.
Jessica Alba wore Elie Saab Fall 2025 Couture for the Red Sea Film Festival opening night premiere of Giant.
Jessica Alba attended the Opening Night premiere of Giant at the Red Sea International Film Festival in Jeddah, Saudi Arabia on December 4, 2025, wearing Elie Saab Fall 2025 Couture. The strapless black gown , sculpted in a mermaid silhouette , fused architectural precision with red carpet drama. The textured fabric and oversized bow detail at the hip reframed volume as punctuation — a styling gesture that turned couture into statement logic.
Her diamond necklace and rings added a note of classic glamour, while the loose waves softened the look’s structural intensity. This wasn’t just a red carpet fashion moment . It was a haute couture appearance calibrated for cinematic resonance.
The gown’s flare — dramatic but controlled — echoed the festival’s own ambition: to celebrate global cinema with unapologetic elegance. Alba’s pose, poised and direct, suggested someone who understands how to wear couture without being consumed by it.
Emma Roberts wore a black fur coat and heels at the Michael Kors Rockefeller Center tree lighting.
Emma Roberts attended the Michael Kors Rockefeller Center Tree Lighting on December 3, 2025, wearing a look that fused old-school glamour with urban edge. The oversized black fur coat , textured and dramatic, anchored the silhouette in winter opulence, while the short black skirt and high heels added a note of evening sharpness — a styling move that reframed holiday dressing as cinematic noir.
Her small black handbag , structured and tactile, echoed the coat’s surface logic, turning texture into a visual motif. The golden revolving door backdrop wasn’t just architectural — it became a reflective amplifier, casting Roberts in a halo of metallic light. This wasn’t just a public appearance . It was a studio portrait disguised as street style.
