Nina Dobrev wore a Mithridate white suit with Lucy Delius earrings for her Fashion Awards photoshoot in December 2025.
Nina Dobrev’s George Gottlieb photoshoot at The Fashion Awards on December 1, 2025, was a masterclass in modernist restraint. Her Mithridate Pre-Spring 2026 white suit , composed of tuxedo trousers , a deep-V blouse , and a blazer draped over the shoulders , offered a sculptural take on power dressing. The wide-leg silhouette and pointed heels extended the verticality of the look, while the gold jewelry — including Lucy Delius Diamond Stirrup Earrings and the L’atelier Nawbar Warrior Princess Diamond Drop Necklace — added warmth and precision.
Michelle Pfeiffer and cast wore festive sweaters for the Oh. What. Fun. Prime campaign launching in December 2025.
The Oh. What. Fun. Prime Original campaign, launching December 3, 2025, is a holiday editorial disguised as a character study. Featuring Michelle Pfeiffer , Felicity Jones , Eva Longoria , and Chloë Grace Moretz , the visuals lean into festive knitwear and color-coded archetypes — each actress styled in a holiday sweater that signals her narrative role.
Pfeiffer’s red-and-white sweater anchors her as “The Unappreciated Mom,” while Jones’ snowflake knit marks her as “The Perfectionist Sister.” Longoria’s green pullover casts her as “The Host With the Most,” and Moretz’s tree-patterned knit brands her “The Never-Single Sister.” The campaign’s genius lies in its ability to turn costume into shorthand — each look a visual cue for personality, plot, and tone.
Rachel Sennott wore multiple conceptual outfits for her DAZED Magazine Winter Issue 2025 editorial photoshoot.
Rachel Sennott’s editorial for DAZED: The Winter Issue 2025 is a surrealist meditation on identity, absurdity, and visual tension. Across a series of high fashion photoshoot setups, she inhabits a range of characters — from a lingerie-clad figure in a mirror-styled shirt-dress to a kneeling pose with the Empire State Building between her knees, and a tutu-wrapped star installation in a grassy field.
The styling choices are deliberately dissonant: plasma balls , HOLLYWOOD signage , neon stars , and architectural props collide with retro silhouettes , bold color blocking , and unexpected juxtapositions . This isn’t fashion as flattery — it’s fashion as provocation. Sennott’s expressions oscillate between playful and confrontational, anchoring the editorial in a kind of performative ambiguity.
