Never one to shy from spectacle, Noomi Rapace infused tailored precision with a modern edge in her much-anticipated (and utterly chic) appearance at the Venice International Film Festival.
Noomi Rapace has the honour of opening our 2025 Venice Film Festival fashion account, stepping out this afternoon for the photocall of her new film Mother.
The Swedish actress arrived in a Fendi Fall 2025 single-breasted tailored suit , which at first glance could’ve read as classic menswear, but the satin side flaps added a contemporary edge that instantly elevated the tailoring. The rich, earthy brown hue of the suit — a sophisticated choice – provided a compelling contrast to the vibrant blue backdrop, highlighting its impeccable cut and the luxurious texture of the fabric. Rapace’s pose exudes a quiet confidence, hands casually in pockets, embodying an effortless cool.
As you know, I wasn’t sold on Pierce Brosnan’s recent Brioni brown suit at The Thursday Murder Club London premiere. But on Noomi? It works. The brown feels richer, the tonal mix adds dimension, and paired with her dark hair, I’m buying the look entirely. Her dark hair, pulled back into a sleek, understated style, perfectly complements the strong lines of the suit, while her minimal makeup allows her natural features to shine.
And then there’s the finishing touch: printed pumps. It’s such a small detail, but they inject personality into the look, a subtle playfulness against the tailored seriousness. These metallic, perhaps snake-effect, heels add a touch of unexpected glamour, cementing the ensemble as a masterclass in sophisticated yet edgy celebrity style .
Federica Scagnetti gave the Venice Film Festival a jolt of pure glamour, stepping onto the red carpet in a look so clean and sophisticated it felt almost futuristic (in the best way, obviously).
Federica Scagnetti arrived at the premiere of her film Father Mother Sister Brother with a masterclass in modern minimalism. Dressed in a pristine white gown, the Italian actress and social media sensation proved that sometimes, less truly is more—as long as the details are impeccable.
The gown’s silhouette is a study in quiet elegance. A simple, strapless column flows to the floor, but the drama is in the details: a single, artfully ruched flourish cascades from her hip, creating a soft, asymmetrical line that breaks up the dress’s clean expanse. The fabric itself appears to be a sleek, matte crepe or satin, lending a sophisticated, statuesque quality that catches the light without a hint of glitz. The bright white hue is a bold choice, but it pays off, making her a beacon of sleek style against the iconic backdrop of the celebrity red carpet .
Julia Ducournau’s opening night look was pure cinematic tension—pleated black silk, sculptural accessories, and a mood that whispered Hitchcock with a hint of punk.
There’s something about Julia Ducournau that resists easy categorization—her films, her presence, her fashion choices. At the La Grazia Opening Night Gala Premiere during the 82nd Venice International Film Festival, she arrived in a look that felt like a director’s cut of elegance: moody, minimal, and meticulously composed.
In a sea of sequins and tulle, Ducournau’s floor-length black gown offered a masterclass in restraint. It didn’t need embellishment—it had atmosphere.
The sleeveless gown was rendered in a pleated black fabric that moved like shadow—fluid, but never fussy. The texture gave the dress depth, catching the light in subtle waves as she walked. The silhouette was classic with a twist: fitted through the bodice, then falling into a soft A-line that skimmed the floor without dragging. The designer remains unconfirmed at press time, but the craftsmanship suggests a house fluent in architectural minimalism—perhaps Jil Sander or a custom piece from Haider Ackermann.
This look taps into a broader movement in red carpet fashion—one that favors texture over sparkle, silhouette over spectacle. It’s a nod to the kind of elegance that doesn’t need to shout. Is this the rise of auteur chic? Or just Ducournau showing us how to dress like a director without losing the drama?
