Odessa A’zion appears in The Face Magazine’s Winter 2025 issue, styled across multiple expressive looks that fuse streetwear, surrealism, and editorial clarity.
In the Winter 2025 issue of The Face Magazine , Odessa A’zion delivers a multi-look editorial that fuses celebrity photoshoot-coded tonal eccentricity with fashion spread-coded compositional depth , captured in a series of portraits that oscillate between streetwear softness and surrealist sharpness.
One standout ensemble features A’zion in a loose-fitting blue top with a fantasy-themed graphic , paired with oversized light gray sweatpants and a draped hood , creating a look rooted in styled shoot-coded narrative ambiguity . Her expressive pose — hands pressed together near the face, head tilted — introduces studio portrait-coded kinetic softness , while the minimal backdrop amplifies the outfit’s visual rhythm.
Another portrait shifts into monochrome: A’zion wears a shaggy black coat with white trim , black gloves , and eyeglasses , framed by a dramatic hand gesture that evokes beauty shot-coded theatrical tension . The textures and grayscale palette suggest a deliberate embrace of high fashion-coded editorial surrealism , where gesture and garment merge into visual storytelling.
Kristen Stewart and Imogen Poots appear in i-D Magazine’s December 2025 issue, styled across multiple expressive looks that fuse intimacy, edge, and editorial clarity.
For the December 2025 issue of i-D Magazine , Kristen Stewart and Imogen Poots deliver a multi-look editorial that fuses celebrity photoshoot-coded tonal intimacy with fashion spread-coded compositional sharpness , captured in a series of portraits that oscillate between cinematic softness and high-fashion tension.
The cover features a close-up of the duo — Stewart winking in a light green top and black leather jacket , Poots composed in a light blue blazer and top — creating a look rooted in studio portrait-coded chromatic contrast . Their expressions and proximity signal a deliberate embrace of styled shoot-coded emotional fluency , where personality and styling merge into a singular visual rhythm.
Inside the spread, the editorial shifts into layered intimacy: Stewart in a textured gray blazer , leaning into Poots, who wears a lavender blazer and displays a gold ring with black nail polish . The pose — arms wrapped, expressions grounded — evokes beauty shot-coded emotional depth , while the dark wood backdrop adds warmth and cinematic grounding.
Another look features Stewart in a black geometric-patterned leather jacket over a white tank top , paired with dark pinstriped pants , while Poots appears in a sheer layered top over a white shirt , accessorized with a gold ring, bracelet, and visible tattoo . These ensembles introduce high fashion-coded textural modulation , where contrast and silhouette drive the editorial’s visual cadence.
Sadie Sink appears in Vanity Fair’s Hollywood Issue with a moody, high-fashion portrait set in a marble-lit bathroom.
For the Vanity Fair Hollywood Issue dated November 25, 2025 , Sadie Sink delivers a moment of celebrity photoshoot-coded tonal introspection , captured in a black-and-white editorial that fuses studio portrait-coded cinematic realism with fashion spread-coded compositional tension .
Sink wears a striped robe layered over a white shirt embroidered with her name , paired with tousled waves and a cigarette resting on her lips — a visual rooted in styled shoot-coded narrative ambiguity . The setting, a luxurious marble bathroom , introduces beauty shot-coded spatial contrast , where reflective surfaces and soft lighting amplify the editorial’s emotional depth.
