Olga Kurylenko steps into Glamour USA’s April 2015 issue, styled in denim reimagined for spring chic.
In Glamour USA’s April 2015 issue, Olga Kurylenko wears Rachel Comey denim shorts with a Chloé blouse and Valentino Garavani sandals. The look is simple, almost holiday casual, but with a sharper edge. She mentions preferring smarter jean shorts when she wants to be chic, flat sandals for walking all day. It’s practical, not postured.
The spread builds around denim’s versatility. High-waisted jeans paired with romantic tops and lace-up boots, overalls styled with luxe vests and heels, jackets buttoned up as tops with relaxed trousers. Each page pushes denim into different moods—grown-up, easy, daytime. Accessories do the heavy lifting: statement belts, bold rings, fringe heels, bronzing sticks.
Kurylenko’s presence ties it together. She’s not stiff in these clothes. She looks like someone who might actually wear them, not just model them. The editorial doesn’t chase glamour—it leans into denim’s adaptability, showing how it shifts from runway polish to everyday wear.
Rihanna wore a white T‑shirt, blue jeans, and pink floral earmuffs with a plush stole while leaving Voltaire restaurant after the Dior after‑party in Paris January 2026.
On January 26, 2026 , Rihanna was spotted leaving Voltaire restaurant in Paris after the Dior after‑party , her look turning the late‑night sidewalk into a kind of casual runway. She wore light blue boot‑cut jeans rolled at the hem and a simple white T‑shirt , the kind of minimal base layer that lets accessories take center stage. Draped over her arm, a white shaggy stole —fluffy, tactile, somewhere between comfort and irony.
Her hair was styled half‑up, half‑loose, framed on both sides by large pink flower‑shaped earmuffs , playful to the point of absurdity yet wholly hers. Around her neck hung colorful layered necklaces , beads glinting under the flash, and she completed the look with black sunglasses , pointed satin heels in pale pink , and the kind of unbothered grin that says she was exactly where she wanted to be.
This was event appearance dressing done Rih‑style: knowingly unpolished, threading luxury through leisure. The fuzzy textures and cheeky accessories worked like punctuation marks—tiny acts of defiance against Paris Fashion Week’s perfectionism.
Rihanna turned what could’ve been a throwaway off‑duty look into something genuinely memorable. The proportions are relaxed, the humor deliberate. There’s a quiet lesson buried in it—fashion as personality, not performance. Even in jeans and T‑shirt, she manages to rewrite the dress code just by showing up.
Emma Naomi steps into Cosmopolitan UK’s February–March 2026 issue, styled in playful contrasts and bold textures.
In Cosmopolitan UK’s February–March 2026 issue, Emma Naomi sits on the floor beside a freestanding bathtub, cardigan patterned with a torso sketch, tiered skirt spilling around her, blue Mary Jane platforms grounding the look. The scene is cluttered—soap dish, jewelry, stray heels. It feels lived-in, not staged.
Another frame shifts mood. A sheer lavender shirt with cutout shoulders, mauve trousers cinched by a belt dripping gold and silver charms. She leans against a mantelpiece, candle and floral print above, lamp with fringe beside. The outfit is sharp but softened by the domestic setting. Accessories do the talking here, the belt pulling focus.
Then comes the baroque print top with balloon sleeves, paired with lace-trimmed bloomers and towering platforms. A green plant, designer chairs, and a floor lamp fill the background. It’s playful, almost absurd, but deliberate. Bloomers dragged into the 21st century, stitched with irony and confidence.
Together, the spread doesn’t chase glamour. It leans into contrasts—bathroom clutter, mantelpiece calm, baroque exaggeration. Naomi doesn’t smooth the edges. She lets them stay jagged.
