In the “Perfect Pair” editorial, Olga Obumova turns a side pose into a statement — off-white denim, knit texture, and a whisper of 90s minimalism.
There’s something quietly radical about a sideways stance — especially when the jeans do the talking. Olga Obumova’s September 2025 shoot for Motel Jeans doesn’t need theatrics. It leans into restraint, and that’s precisely why it works.
The jeans are high-waisted, off-white, and visibly structured — stitched seams and a leather “MOTEL” patch anchor the look in brand clarity. The fit is relaxed but intentional, hugging the waist and falling straight with a slight taper. Paired with a gray knit sweater, the texture play is subtle but effective: soft above, sculpted below. The palette is muted, the silhouette clean. It’s denim as architecture.
The embedded text — minimal and brand-forward — reinforces the editorial’s thesis: this is about the “perfect pair,” not just in fit, but in styling logic. There’s no excess, no distraction. Just a confident proposition: denim that holds its own.
Obumova’s pose — one hand near the hip, gaze off-frame — evokes early Calvin Klein campaigns, where simplicity was the seduction. The off-white wash nods to 90s minimalism, while the visible branding taps into Gen Z’s appetite for label nostalgia. It’s a fashion spread that understands the power of quiet clarity.
Hair is long and wavy, cascading naturally to soften the geometry of the outfit. Makeup is either minimal or absent — the editorial doesn’t need it. The mood is casual, but the composition is anything but. Every element supports the jeans as the hero piece.
For Numéro Netherlands’ November issue, Dita Von Teese transforms a studio portrait into high fashion theater — blush satin, vintage waves, and a silhouette that whispers Old Hollywood.
Dita Von Teese doesn’t wear gowns — she performs them. On the cover of Numéro Netherlands No. 11, photographed by Charlie Denis, she turns a blush-toned strapless dress into a cinematic gesture.
The gown is sculpted, form-fitting, and unapologetically feminine. Its soft pink satin base is adorned with floral embellishments that climb the bodice and trail into the gloves, creating a seamless visual rhythm. The silhouette is classic Von Teese: corseted waist, hourglass curve, and a hem that pools with quiet drama. The matching opera-length gloves extend the line of the arm, reinforcing the gown’s theatricality without veering into costume.
No jewelry interrupts the composition — the gloves and embellishments do all the talking. The absence of excess allows the texture and tailoring to take center stage. It’s a styling choice that feels deliberate, editorial, and era-aware.
Set against a plain gray backdrop, the lighting is sharp and directional, casting a shadow that echoes her pose. It’s a studio portrait that feels like a still from a 1940s film — all mood, no distraction. Her stance is poised, her gaze direct, her body angled with precision. It’s not just a beauty shot — it’s a character study.
In a sun-drenched poolside shoot, Janice Rivera channels high fashion leisure — paisley swimwear, playful accessories, and a resort mood that feels editorially effortless.
Janice Rivera doesn’t just wear a bikini — she wears a mood. In this tropical shoot, every detail feels curated for sunlight, movement, and a whisper of rebellion.
The paisley bikini sets the tone: fluid, colorful, and quietly nostalgic. It’s a print that evokes 70s surf culture and bohemian ease, reimagined for a modern silhouette. The triangle top and low-rise bottoms offer a classic cut, but the pattern and styling elevate it into fashion photoshoot territory.
The swimwear appears crafted from a soft, matte fabric that absorbs light rather than reflecting it — a choice that keeps the look grounded and editorial. The paisley print, with its swirling lines and warm palette, adds visual rhythm and depth. It’s a fashion spread moment that balances retro charm with contemporary clarity.
Olga Obumova wears a dramatic mushroom-print corset dress from the Selkie Fall 2025 “Libertine” collection, maximizing volume and whimsical historical fantasy.
Model Olga Obumova opts for a truly maximalist look from the Selkie Fall 2025 “Libertine” collection , showcasing a fantastical mushroom-print gown . This highly stylized choice is a core example of how the brand uses prints and historical volume to create highly shareable fantasycore moments in fashion spread content, pushing the boundaries of contemporary romantic fashion.
This particular garment firmly establishes Selkie’s dedication to the Fantasycore and Whimsigoth subcultures, illustrating the Brand & Designer Context where playful prints and extreme volume are paramount. The mushroom print is a highly specific and deliberate choice, capitalizing on the popularity of nature-based prints and elements of folklore that appeal to a digitally-engaged audience seeking escapism in their wardrobes.
The Comparative Styling Analysis here is rooted in the interplay between structured and fluid volume . The rigid, cinching corset —a symbol of restrictive historical fashion—is juxtaposed with the free-flowing, layered skirts and the fantastical, non-traditional print. This visual tension speaks to the core “Libertine” concept: taking traditional, opulent aesthetics and injecting them with modern, irreverent freedom. The overall visual effect channels a modern Alice in Wonderland aesthetic —a powerful narrative choice that makes this a standout look in any editorial
