Olga Obumova posed in a white off-shoulder top, vintage-wash jeans, and sneakers for a minimal studio photoshoot in January 2026.
Inside a minimal studio setting, Olga Obumova sits casually in a curved black armchair, the whole composition stripped down to essentials — light, shape, quiet attitude. She wears a white off-shoulder top that billows softly around her chest, the fabric gathered like folded paper, while straight-cut vintage jeans fall loosely over white sneakers laced in navy blue. The look is easy, everyday, unhurried.
Her hair is left natural, wavy and slightly uneven, while her expression — somewhere between curiosity and calm — feels spontaneous, not styled. The entire image plays with that friction between softness and geometry: the clean horizontal of her posture pressing against the dark rounded furniture, the airy top against the weight of denim. The photograph feels modern in its restraint and nostalgic in its tone — like a memory dressed in neutral light.
Heidi Klum wore a sheer black shirt and matching skirt with pumps at the Infinite Icon world premiere in Los Angeles 2026.
At AMC The Grove 14 for the Infinite Icon: A Visual Memoir premiere, Heidi Klum arrived in a look that leaned into precision — cool, stripped, calculated. She wore a sharply cut black sheer shirt paired with a matching translucent skirt, both sliced from weightless fabric that draped and revealed in equal measure. Beneath, a fitted underlayer created just enough structure to stop the transparency from feeling careless.
It’s an outfit that plays with office formality — collar, buttons, cuffs — but drains the power suit of its armor, replacing stiffness with air. Against the deep pink backdrop, the black fabric glowed matte, never shiny. Her long blonde hair, loose and slightly tousled, kept the geometry from stiffening. Classic pointed-toe pumps anchored the look, understated and practical.
Kaia Gerber appears in Harper’s Bazaar USA February 2026, photographed in multiple looks that highlight bold textures, layered contrasts, and confident rhythm.
February 2026. Kaia Gerber on the cover, lace dress white, jacket black leather draped, stockings thigh-high, heels pointed. Hair loose, waves soft. The stance strong, one leg forward, the other back. The look feels sharp, reset energy, stripped of excess.
Another frame: mini dress white again, jacket beige oversized, stockings black, heels pointed. Cap leather, chain detail. The styling bold, almost street-leaning, but still editorial. The background dark, gradient fading.
Third frame: jacket black leather, jeans distressed, rips wide at knees. Tiara perched, torso bare, necklace visible. Pose assertive, legs spread, hands gripping belt. The look edgy, mixing high fashion with raw street grit.
Final frame: red dress shiny, off-shoulder, sleeve tied. Cap black leather again, chain glinting. Background pink, pose confident, hand on hip. The outfit bombastic, playful, almost rebellious.
Olga Obumova wears a dramatic mushroom-print corset dress from the Selkie Fall 2025 “Libertine” collection, maximizing volume and whimsical historical fantasy.
Model Olga Obumova opts for a truly maximalist look from the Selkie Fall 2025 “Libertine” collection , showcasing a fantastical mushroom-print gown . This highly stylized choice is a core example of how the brand uses prints and historical volume to create highly shareable fantasycore moments in fashion spread content, pushing the boundaries of contemporary romantic fashion.
This particular garment firmly establishes Selkie’s dedication to the Fantasycore and Whimsigoth subcultures, illustrating the Brand & Designer Context where playful prints and extreme volume are paramount. The mushroom print is a highly specific and deliberate choice, capitalizing on the popularity of nature-based prints and elements of folklore that appeal to a digitally-engaged audience seeking escapism in their wardrobes.
The Comparative Styling Analysis here is rooted in the interplay between structured and fluid volume . The rigid, cinching corset —a symbol of restrictive historical fashion—is juxtaposed with the free-flowing, layered skirts and the fantastical, non-traditional print. This visual tension speaks to the core “Libertine” concept: taking traditional, opulent aesthetics and injecting them with modern, irreverent freedom. The overall visual effect channels a modern Alice in Wonderland aesthetic —a powerful narrative choice that makes this a standout look in any editorial
