Olga Obumova wore multiple layered and textured outfits for the Abercrombie October 2025 fashion photoshoot campaign.
For the Abercrombie October 2025 collection , Olga Obumova appears in a multi-look fashion photoshoot that explores texture, layering, and tonal contrast across a series of studio portraits. Each outfit offers a distinct narrative, yet collectively they reflect Abercrombie’s evolving aesthetic—where casualwear meets editorial polish.
In one look, Obumova wears a white lace-trimmed slip dress cinched with a black belt , layered under a grey oversized cardigan . The styling is completed with cream knee-high socks and black cowboy boots , blending softness with western edge. The setting—a minimal white wall flanked by a clothing rack and ironing board—evokes a behind-the-scenes intimacy, reinforcing the styled shoot energy.
Another frame shows her seated in a light olive-green chair , wearing a sleeveless dark brown turtleneck sweater , black leather shorts , and a black fur coat draped over her shoulders. The textures—knit, leather, and faux fur—create a tactile richness, while her upward gaze and relaxed posture suggest confidence without rigidity.
A third image captures her sitting on the floor in front of the same chair, now styled in maroon polka-dot socks , black shoes , and the same sleeveless turtleneck. The pose is casual, the composition clean, and the mood introspective.
Finally, a close-up reveals a colorful striped sweater in horizontal bands of red, white, black, yellow, and purple. Her arm partially covers her forehead, framing her face and drawing attention to the direct gaze—a moment of beauty shot intensity within a broader editorial.
The Abercrombie campaign leans into the 2025 trend of layered realism , where garments are styled not just for visual impact but for emotional resonance. Obumova’s looks reflect a curated spontaneity—each outfit feels lived-in, not staged. The inclusion of domestic props (ironing board, hangers, upholstered chair) situates fashion within everyday rituals, blurring the line between studio portrait and lifestyle documentation.
The use of varied textures—lace, knit, leather, fur—signals a shift from logo-driven branding to material storytelling . Abercrombie’s pivot toward editorial credibility is evident here: the campaign doesn’t just sell clothes, it stages moods.
Emma Roberts wore a grey dress with matching tie at the Tom Wolfe Fiction Prizes and Lukas Gage book launch on 14 October 2025.
On 14 October 2025 , Emma Roberts attended the Tom Wolfe Prizes for Fiction and Lukas Gage’s book launch , delivering a celebrity event look that fused literary polish with fashion-forward tailoring. Captured in a candid moment at the venue, Roberts wore a grey dress with a matching grey tie , styled with minimal accessories and a relaxed silhouette that balanced structure and ease.
The setting—a dimly lit room with white tablecloths, drinks, and visible “EXIT” signage—suggests a public venue or restaurant, reinforcing the media event atmosphere. Her red hair and warm smile added vibrancy to the otherwise neutral palette, while the presence of the red book RAMUS STORIES on the table subtly anchored the scene in its literary context.
Dakota Fanning wore a vibrant green coat against a floral backdrop on The Sunday Times Style October 2025 magazine cover.
For the October 2025 cover of The Sunday Times Style , Dakota Fanning appears in a celebrity photoshoot that merges cinematic presence with editorial precision. She wears a vibrant green coat with oversized buttons, styled against a dark floral backdrop that amplifies the contrast between garment and setting.
The coat’s silhouette is structured yet relaxed, with a bold color that commands attention without veering into theatricality. Fanning’s platinum hair and neutral makeup provide balance, allowing the outerwear to dominate the frame. The composition is tight, the mood deliberate—a studio portrait that feels both intimate and assertive.
The cover headline—“SCREEN QUEEN Dakota Fanning steals the show – again”—is more than a nod to her filmography. It positions her as a figure of continuity in an industry obsessed with reinvention. The styling reflects this duality: the green coat is classic in cut but modern in hue, while the floral backdrop evokes both nostalgia and visual drama.
This fashion spread aligns with the 2025 editorial trend of statement outerwear as identity armor. In a season dominated by neutral layering and quiet luxury, Fanning’s look offers a counterpoint: color as character, silhouette as stance. The floral background isn’t just decorative—it’s narrative, suggesting growth, complexity, and cinematic depth.
Olga Obumova wears a dramatic mushroom-print corset dress from the Selkie Fall 2025 “Libertine” collection, maximizing volume and whimsical historical fantasy.
Model Olga Obumova opts for a truly maximalist look from the Selkie Fall 2025 “Libertine” collection , showcasing a fantastical mushroom-print gown . This highly stylized choice is a core example of how the brand uses prints and historical volume to create highly shareable fantasycore moments in fashion spread content, pushing the boundaries of contemporary romantic fashion.
This particular garment firmly establishes Selkie’s dedication to the Fantasycore and Whimsigoth subcultures, illustrating the Brand & Designer Context where playful prints and extreme volume are paramount. The mushroom print is a highly specific and deliberate choice, capitalizing on the popularity of nature-based prints and elements of folklore that appeal to a digitally-engaged audience seeking escapism in their wardrobes.
The Comparative Styling Analysis here is rooted in the interplay between structured and fluid volume . The rigid, cinching corset —a symbol of restrictive historical fashion—is juxtaposed with the free-flowing, layered skirts and the fantastical, non-traditional print. This visual tension speaks to the core “Libertine” concept: taking traditional, opulent aesthetics and injecting them with modern, irreverent freedom. The overall visual effect channels a modern Alice in Wonderland aesthetic —a powerful narrative choice that makes this a standout look in any editorial
