In a maroon floral haze, Olivia Cooke channels vintage romance with a modern twist—her look, like the show itself, walks the line between intimacy and intrigue.
Olivia Cooke doesn’t just wear a dress—she inhabits it. In Episode 3 of The Girlfriend , the English actress steps into a visual moodboard that feels equal parts Edwardian garden party and millennial minimalism. The setting? A quiet domestic interior, all white walls and brick textures. The vibe? Softly cinematic, with just enough tension to keep us leaning in.
Cooke’s sleeveless dress is a study in contrast: a crisp white base layered with a maroon floral print that evokes hand-painted porcelain or vintage wallpaper. The fabric appears lightweight—perhaps cotton voile or a silk blend—with a gentle drape that flatters without clinging. The silhouette is classic: fitted bodice, modest neckline, and a skirt that skims rather than swirls. It’s the kind of piece that could have walked out of a Rodarte archive or a Simone Rocha spring collection. Feminine, yes—but not saccharine.
Waving from the backseat like a punk-pop heiress, Kathryn Newton fused retro iconography with Gen Z irreverence—her look, like her smile, was pure street-style charisma.
Kathryn Newton knows how to make an entrance—even when she’s technically seated. Spotted in New York on September 12, the actress turned a casual car ride into a moment of fashion theater, waving from the backseat with the kind of ease that only comes from knowing exactly who you are—and what you’re wearing.
Newton’s black graphic tee was more than just merch—it was a mood. Featuring the iconic face of Debbie Harry and the word “Blondie” emblazoned across the chest, the shirt tapped into a lineage of rock-chic rebellion that’s been reinterpreted by everyone from Hedi Slimane to Raf Simons. The fabric looked soft, lived-in, and perfectly oversized—cut to skim the shoulders and fall just below the waist. It’s the kind of silhouette that says, “I didn’t try too hard,” while still landing squarely in the realm of curated cool.
In one hand, Newton held a pair of sunglasses—classic black frames, likely vintage-inspired. Her seatmate, equally stylish, clutched a tan handbag and a smartphone, rounding out the tableau with a touch of everyday luxury. No jewelry, no fuss. Just two women in a white car, dressed like they own the playlist and the moment.
Graphic tees have long been a staple of celebrity street style , but Newton’s Blondie moment felt especially timely. With fashion’s current obsession with archival references and band tee nostalgia, her look lands somewhere between TikTok trend and punk legacy. It’s not just a shirt—it’s a signal.
Selena’s look—equal parts founder finesse and off-duty polish—channeled quiet luxury with a hint of noir, proving that even brand milestones deserve runway-level restraint.
She didn’t need sequins to make a statement. At Ka’teen in Los Angeles, Selena Gomez marked Rare Beauty’s fifth anniversary with a look that whispered power rather than shouted it—a masterclass in tonal layering and minimalist edge.
Selena’s ensemble was built on a foundation of clean lines and muted contrasts. A long black coat—structured but not stiff—draped effortlessly over a beige-and-white top, its soft palette offering a subtle nod to Rare Beauty’s ethos of inclusivity and ease. The coat’s silhouette was classic trench with a modern twist: no belt, no fuss, just fluid tailoring that moved with her. Paired with slim black trousers, the look felt curated but never contrived. While the designer remains unconfirmed at press time, the styling echoed the restraint of The Row or early Céline—brands known for their quiet authority.
Minimalism ruled the moment. No visible jewelry, no statement bag—just Selena, a microphone, and a presence that filled the room. Her choice to forgo accessories wasn’t an oversight; it was a deliberate pivot toward substance over spectacle. In a sea of over-accessorized red carpet looks, this felt like a palate cleanser.
In an era where celebrity fashion often leans toward maximalism, Selena’s look felt like a quiet rebellion. Think Sofia Coppola’s “Somewhere” meets the pared-back cool of 1990s Calvin Klein. It’s the kind of outfit that doesn’t beg for attention—but earns it. And in the broader landscape of celebrity style , it’s a reminder that restraint can be radical.
Hair and makeup followed suit: her hair, parted down the middle, fell in soft waves—unfussy, unfaked. Makeup was polished but natural, likely Rare Beauty’s own formulas at play. The overall mood? Intentional. Selena looked like herself, not a character. And that, in today’s hyper-curated fashion world, is its own kind of statement.
