Olivia Dean wore a checkered scoop-neck sequin gown at Spotify’s 2026 Best New Artist Party in Los Angeles, California.
At Spotify’s Best New Artist Party in Los Angeles on January 29, 2026, Olivia Dean appeared in a look that split the difference between retro print and red carpet shimmer. Her dress? A full-length, subtly sculpted gown with tiny straps and a mindful stillness.
The first thing that lands is the fabric —checkered, not loud, but slowly revealed by light. Think navy base, overlaid with iridescent sequins that catch as much as they mask. It’s bold in silhouette but soft on impact. A strange, low-key confidence in a world stuffed with crystal corsets and corsetry for its own sake.
The neckline? Wide scoop, squared at the collarbones , leaving her décolletage unobstructed, bare except for a small gold necklace . Her arms defined, posture relaxed. The dress tucks at her waist with natural drape—no boning, no built-in hourglass pressure. Just fabric doing what it wants to do.
Accessories stay minimal. A pair of hoops , the aforementioned pendant, and no clutch in sight. Her hair was worn old-school glam: soft waves, side-parted. Glossy, but not overly shellacked. The vibe was controlled, never stiff. Her makeup followed suit: glowy base, tiny flick at the eye, matte lip in a neutral tone.
It’s not a loud look. It’s a designed hush , an outfit that breathes and waits for you to focus. No high slit, no plunge, no bell sleeve or bustle. And that’s exactly why it stood out.
You don’t expect a gingham illusion to win the room—but here we are.
Melanie Fiona wore leather bermuda shorts, a tied blouse, and knee-high boots to Spotify’s 2026 Best New Artist Party in Los Angeles.
At Spotify’s 2026 Best New Artist Party , held January 29th in Los Angeles, Melanie Fiona took the black carpet and made it look more like a street corner in Paris—if that street corner had a VIP section. Her look wasn’t about gown-and-glow. It was full attitude layered under ribbon-tied chill.
The core: a sharply styled white semi-sheer blouse , cinched slightly at the bust with a knotted tie in the center. Easy drape. Nothing uptight. Underneath, a black bralette peeks through—not flashy, just there. On bottom, things get more interesting. Raw-hem black leather bermuda shorts. Not faux. Not polished. They hit around the knee, unfinished edges catching light and mood in equal measure.
Then come the boots— sleek knee-high leather with a subtle block heel, fitted but unfussy. Like she might stomp off if the room gets too fake.
She brands but not loudly—a minimal black Fendi clutch with gold chain hardware casually in hand. A full stack of rings on both hands. Statement silver choker necklace layered flat against skin. Circle-lens sunglasses perched just below the eyes, exactly where they’re meant to sit when you know you’re being watched.
Hair: long, loose, Hollywood volume with a matte finish. Just brushed enough. Topped off by a black leather beret tilted ever so slightly. No irony. Just placement. This is styling made of confidence—not one big piece, but the collision of smaller, cooler ones.
She didn’t show up to shimmer. She showed up to direct traffic.
Kehlani wore a sheer black beaded Valdrin Sahiti gown with a center cutout to the 2026 GRAMMY Awards at Crypto.com Arena in L.A.
At the 68th GRAMMY Awards on February 1, 2026, held at Crypto.com Arena in Los Angeles, Kehlani walked the red carpet in a look that toed the line between architectural and undone. Her gown, a custom Valdrin Sahiti design , was technically dressed to smolder—but the restraint came in its structure. This wasn’t just sexy. It was sculpted .
Titled “The Black Bloom Dress,” the piece floated down her body like a veil of beaded shadow. Held aloft by a single halter string , the neckline plunged in a bold vertical cutout that ran from clavicle to just above the waist, exposing bare skin framed in scalloped beading . Rows of hand-sewn embellishment curled in embroidery-like formations, creating peaks, valleys, negative space.
The sheer fabric —intentionally see-through by design—was paneled with bursts of dense black applique, forming a visual rhythm of coverage and exposure. Up close, you notice the micro beading: layered, textured, twitching when she moved. It’s not sparkle. It’s shimmer with structure. The central bodice cutout , bordered in clustered crystals, reinforced the tension between frame and fluidity.
She styled the gown minimally. Just black strappy heels , subtle rings, and small stud earrings . The tattoos on her shoulders and arms played an intentional part of the look—visible through the mesh, almost working like part of the print. Hair fell long and waved with a side part, set loose to offset the tension of the gown’s silhouette. Breezy, but not casual. Makeup stayed clean: strong highlight, a warm eye, defined lip. No drama—except the dress.
Kehlani didn’t just wear the dress. She let the dress behave like smoke—and walked right through it.
