Olivia Dunne wore a black ruched tank, tailored trousers, and leopard print heels at the 2026 Fanatics Super Bowl Party in San Francisco.
Not every Super Bowl pre-party look needs sequins. Olivia Dunne just proved that low-key and clean can still pop — especially when the shoes talk first.
At the 2026 Fanatics Super Bowl Party in San Francisco, she showed up in a black ruched tank top that hugged just enough without trying to do too much. Toss in a pair of tailored black trousers — no shine, no frill, just crisp creases — and you’re halfway into model-off-duty territory already.
But the twist? Leopard print stiletto heels . Bold, sharp, unexpected in that sea of default metallic pumps. They cut through the minimalism, and suddenly the whole thing feels a little more alive.
She’s carrying a structured white top-handle bag with gold hardware — the kind that keeps things elevated but functional. Jewelry’s light: a delicate chain, hoops, a low-key bracelet stack. Hair’s parted and pulled back, makeup’s warm but unfussy — none of it’s asking for attention, but it lands anyway.
What I love about this is the styling math. Instead of going big with shimmer or layering, she nails it by dropping one loud element in an otherwise restrained look. And it works because the rest of it lets that loud one breathe.
There’s been a quiet comeback for pared-down party dressing lately — clean trousers, sharp tanks, and one standout shoe to carry the personality. Olivia taps straight into that energy
Sometimes one detail — a wild shoe, a clean line — is all it takes.
Chase Infiniti wore three striking outfits for Sunday Times Style February 2026, mixing layered black drama, tailored outdoor chic, and ethereal white elegance.
Chase Infiniti fronts The Sunday Times Style February 2026 with three looks that feel like different worlds stitched together.
First: a black off‑the‑shoulder sweater paired with a voluminous ruffled skirt , styled with red tights and pointed shoes . Braided hair, standing between tree trunks. It’s earthy, dramatic, almost bombastic. If you ask me, the tights are the sharpest detail — they cut through the darkness like punctuation.
Second: a long black coat with leather accents layered over a black shirt and skirt with slit . Button details, structured silhouette, braids intact. Shot outdoors against rocks and shrubs, it’s modern but grounded. I’ll say it — the coat does all the work here, turning the whole look into outdoor chic.
Third: a white textured top with deep neckline, paired with a layered tulle skirt and sheer fabric draped from one arm. Braids again, pose graceful, daylight soft. The best part? The sheer fabric — it makes the whole thing feel ethereal without tipping into costume.
Together, the three outfits show range: dark drama, tailored edge, and airy elegance. What I love is that none of them chase perfection. They’re styled, imperfect, and that’s why they stick.
Closing thought: the red tights against the trees are the image that lingers — like fire caught in shadow, blunt and unforgettable.
Deja Foxx wore a red bikini during a beachside fashion photoshoot under California sun, posing effortlessly against large coastal rock formations.
There’s nothing overthought here — and that’s what makes it work. Deja Foxx knows her angles, sure. But she also knows when to let a moment do most of the talking.
For this beachside photoshoot , she’s perched on a sun-washed rock in a classic red bikini , minimal in coverage but maxed on impact. Triangle-cut top , barely-there bottoms , the kind of fit that doesn’t distract — it just lets skin and sun take the spotlight. The suit is a textbook reminder that sometimes the most obvious choice is the only one that matters.
What I like? This isn’t about styling tricks. There’s no stacked jewelry or “styled beach hair.” No layers to decode. It’s skin, stretch, and stillness. Against the muted tones of the rock and sand, that saturated red looks almost cinematic. Even the shadows participate.
Her body language is all ease — one hand resting behind, one leg stretched forward, gaze lifted. Not forced or glammed up. Just present. And in moments like these, less really does show more.
This isn’t a debut or a reinvention—just a still frame that feels honest. Maybe even a little timeless.
