Olivia Dunne debuts a surprising, sports-themed photoshoot for Fanatics Sportsbook 2025, fusing athletic aesthetics with high-fashion allure and playful wit.
On a sunny day, with the backdrop of an empty football stadium, Olivia Dunne unveiled a striking campaign for Fanatics Sportsbook. The photoshoot itself was a masterclass in unexpected visuals, juxtaposing the grit of the gridiron with a sense of playful glamour. It’s a testament to Dunne’s ability to transcend her traditional athletic context and step into a high-fashion narrative.
One of the most striking images captures Dunne in a deep, burgundy slip dress. The fabric, a sleek satin or silk, drapes elegantly against her form, with delicate crisscross straps adding a dose of modern romance to the classic silhouette. In a surprising twist, she holds a football, turning what could have been a simple red carpet moment into a bold, thematic statement. It’s a look that’s both sensual and strong, a perfect metaphor for the balance of beauty and power.
Another frame finds Dunne reclining on the stadium bleachers. Here, she fully leans into the athletic theme, donning a cropped navy t-shirt with a team logo and a pair of classic denim shorts. But the look is elevated by a pair of dramatic, patterned cowboy boots—a stylistic decision that instantly takes the outfit from casual to captivating. The mix of college sports aesthetic with a rugged, fashion-forward accessory is a stroke of stylistic genius, a whiplash chic moment that perfectly captures the current mood.
Perhaps the most memorable shot, however, is Dunne posing in a bathtub filled with bubbles, placed right on the football field. This image is a playful, surrealistic moment of cinematic grace. It’s a whimsical nod to an off-duty athlete’s life, rendered in a way that feels both luxurious and entirely unexpected. The soft lighting and clean aesthetic contrast sharply with the raw, open space of the stadium, creating a memorable visual that is quintessentially modern.
Helen Flanagan unveils a new, sophisticated era, proving her red-carpet prowess (which, frankly, was long overdue) in a fuchsia gown that absolutely commands attention.
What happens when a high-street darling pivots to couture? You get a full-on fashion whiplash. Helen Flanagan, long celebrated for her playful, accessible style, debuts a new, elevated narrative with a powerful statement at the 2024 Pride of Britain Awards . This wasn’t just a dress; it was a full-throttled visual declaration.
The actress unveiled a breathtaking, vibrant pink silk gown by designer Josh Birch Jones , a masterpiece of clean lines and impactful silhouette. The choice of silk alone spoke volumes, its liquid texture catching the flashbulbs like a second skin. A sleek bandeau neckline framed the look, keeping the focus on her décolletage and the dramatic sweep of fabric that cascaded to the floor. It was a silhouette that said, “I’ve arrived.” A testament to modern glamour, the dress was stripped of unnecessary frills, relying instead on its flawless tailoring and rich, undeniable color to make a statement.
Is this the dawn of a new kind of Hollywood glamour?
A confident woman in a perfect dress, with no distractions—just pure, unapologetic elegance.
Flanagan paired the minimalist gown with a maximalist beauty look. A bouncy, blonde blow-dry offered a soft contrast to the dress’s sharp lines, while a statement lip in a complimentary mauve tone provided a sophisticated pop of color. The styling, credited to an unconfirmed stylist at press time, struck a perfect balance between bold and beautiful. This isn’t the whimsical Helen of yesteryear; this is Helen Flanagan in full bloom, a red carpet force.
She attends events as a style icon now, not just a celebrity guest. This look felt like the cinematic finale of a personal style journey, one that began with fun, fearless high-street finds (her well-documented love for Karen Millen and Agent Provocateur is iconic) and has culminated in a moment of pure, singular elegance. So, is she redefining her fashion future—or just proving, once again, that the best style evolution is the one we never saw coming?
Jordana Brewster leaned into minimalist noir—white silk, black leather, and strappy defiance—at the 2009 premiere of Friday the 13th, sidestepping red carpet excess with cool precision.
There’s something quietly rebellious about showing up to a horror reboot premiere in a look that whispers rather than screams. On February 9, 2009, Jordana Brewster arrived at Grauman’s Chinese Theatre in Hollywood for the Friday the 13th premiere, eschewing the usual glitz for a monochrome ensemble that felt more New York gallery opening than LA blockbuster launch.
Her outfit? A study in contrasts. Brewster wore a sleeveless white top—likely silk or satin, though the exact designer remains unconfirmed—tucked into a high-waisted black skirt that skimmed just above the knee. The silhouette was clean, unfussy, and quietly architectural. No sequins, no plunging neckline—just crisp lines and a sense of restraint that felt almost subversive on a red carpet known for maximalism.
She paired the look with black strappy high-heeled sandals, the kind that suggest a certain urban toughness. A black shoulder bag added utility without compromising style, and her long, dark hair was worn loose, cascading in soft waves that balanced the outfit’s sharper edges. The makeup was minimal—dewy skin, a hint of liner, and a nude lip—letting the outfit speak without interruption.
