Olivia Munn wore a sculptural black blazer and cropped wide-leg trousers at the Apple TV Press Day in Santa Monica, 2026.
At the Apple TV Press Day in Santa Monica on February 3, 2026, Olivia Munn stepped into the frame dressed in black from shoulder to heel—carefully composed but far from stiff. What she wore wasn’t just a suit. It was angular. Strategic. The blazer , unbuttoned and sharply cut, leaned into asymmetry without becoming conceptual. Lapels blended into structure. No shirt visible underneath—just clean black layers forming sharp lines and air gaps.
Cropped wide-leg trousers , solid and structured, hit just past the knee. A deliberate cutoff. Neither shorts nor culottes nor culottes pretending to be streetwear—just black fabric with a middle-step attitude. No tights. No bells. Just skin. The finish came with pointed stiletto pumps in a matching black, a familiar contrast to the roomy volume above.
Hair worn down, ultra-drapey and parted slightly off center. Waves lightly defined but relaxed. There’s clarity to the whole style—no shimmer, no fringe, no jewelry distraction. Just lines, shape, and confident silence.
This was monotone with motion: a study in form over flourish, using nothing to say plenty.
Rhea Seehorn wore a sharp blue double-breasted blazer with black tailored shorts at the Apple TV Press Day in Santa Monica 2026.
At the Apple TV Press Day in Santa Monica on February 3, 2026, Rhea Seehorn came dressed like she meant business—but left just enough room for play. She showed up in a boxy-cut, double-breasted blue blazer , cool-toned and assertive, sleeves pushed casually past the wrist like she’d been in motion. Her hands in the pockets, stance wide, posture unbothered but firm. Thin shoulder padding shaped the upper half into something sharply sculpted, but not stiff. The contrast came below: black knee-length tailored shorts , clean hem , nothing flashy. Functional but deliberate.
It’s a look that asks: what happens when a corporate blazer loses the boardroom and gains breathability?
Paired with sheer black tights and classic black pointed pumps , the whole thing walked a line—spring’s newer shift toward reworked workwear, lightened just enough to stay playful. Her hair, styled in a sleek, side-parted lob, added a polished minimalism. And makeup? Barely there but intentional—brows groomed, mascara working, skin somewhere between camera-ready and lived-in.
The mood wasn’t overdressed or ironic. It was measured. Intentional. You felt it more on the second glance than the first.
There’s a rising appetite in fashion right now for garments that suggest day-job realness—without looking like they came straight out of a cubicle. Seehorn’s moment tapped into that. An office silhouette—but with legs and tempo. Gone was the pencil skirt and belt routine; in its place, a bluer, sharper layer and wide-legged air space.
Rita Wilson wore a black studded jacket and mini skirt set at the Apple TV Press Day in California in February 2026.
At the Apple TV Press Day in Santa Monica on February 3, 2026, Rita Wilson arrived in a crisply structured black set. Black jacket, mini skirt. Compact, uniform, maybe even formal, but softened by something else. Charms on the chest and hip pockets—actually no, those weren’t charms. Embellishments, etched and clustered like decorative armor. Intricate beadwork cloaked in noir. You don’t need to squint to get it—it lands on you fast. A kind of business-serious cool, glinting slightly under soft LEDs.
Not quite flashy. Not quite casual. A middle ground that knows its footing. She paired the look with black suede knee-high boots , tall and strong without being stompy. Beneath, sheer black hose added another texture—lightweight but clear in effect. Hair worn down and loose, center-parted, brushed but not overstyled. Lips just the right side of warm.
It all read like a wardrobe solution, not a statement. A grounded pick for a press event appearance , where the room needs you dressed but not too loud. There’s something generational about the whole presentation—understated without clinging to youth trends, polished but not too polished either.
The look avoids trend-chasing but lands solidly within fashion’s current tension point: the return of structure without stiffness, ornament without glamour.
