Olivia Munn channels vintage Americana with a wink—her Bustle shoot blends ‘80s gym nostalgia, driveway cool, and off-duty charm into one textured fashion story.
Olivia Munn channels vintage Americana with a wink—her Bustle shoot blends ‘80s gym nostalgia, driveway cool, and off-duty charm into one textured fashion story.
In one standout shot, Munn wears a white tee tucked into red athletic shorts, paired with white knee-high socks striped in red and classic white sneakers. The textures are tactile and nostalgic—cotton, terry, and rubber—evoking the golden age of home workouts. The silhouette is relaxed but intentional, cinched at the waist and balanced by the verticality of the socks. It’s not just sporty—it’s sportcore, reimagined.
In another frame, she lounges in a maroon zip-up jacket with white stripes, black shorts, and white sneakers. The jacket’s sheen and collegiate cut nod to varsity aesthetics, while the floral folding chair and green cooler add layers of domestic irony. It’s fashion that doesn’t take itself too seriously—and that’s precisely why it works.
Whether she’s pedaling on a vintage bike or tying up her hair in a loose Nike tee, Munn’s energy is playful, self-aware, and slightly mischievous. The lighting is natural, the backgrounds raw—garage doors, concrete floors, electrical panels. It’s the kind of setting that turns candid moments into celebrity photos worth archiving.
Kaitlyn Dever’s tailored leather trousers and minimalist black top brought quiet drama to the Michael Kors runway crowd—an ode to structure, not spectacle.
In a season where fashion is flirting with excess, Kaitlyn Dever arrived at the Michael Kors Spring/Summer 2026 show in New York with a look that whispered power rather than shouted it. On September 11, 2025, she stepped into the minimalist venue—brick walls, concrete floors, gallery-like benches—wearing an outfit that felt like a study in proportion and restraint.
Dever’s ensemble centered around the Michael Kors Collection Kaitlin leather trouser belt —a standout piece that anchored her high-waisted, wide-legged brown trousers. The pants featured pleated detailing and a sculptural silhouette, cinched dramatically at the waist with an oversized belt that added architectural tension. Paired with a sleeveless black top, the look balanced volume and simplicity, creating a silhouette that was both commanding and fluid.
She carried a dark clutch bag—structured, compact, and quietly luxe. Pointed-toe shoes in a matching tone elongated the leg line and reinforced the outfit’s clean geometry. Jewelry was minimal or absent, allowing the textures and tailoring to take center stage. The accessories didn’t compete—they completed.
Michael Kors has long been a master of American luxury, but this look felt more like a nod to European minimalism—think Phoebe Philo-era Céline with a New York twist. In a week dominated by color and volume, Dever’s choice to go full neutral was a deliberate counterpoint. It’s the kind of celebrity style that doesn’t chase trends—it sets them.
Olivia Ponton’s off-the-shoulder black dress brought a dose of architectural clarity to NYFW—equal parts elegance and edge, with a wink of street power.
In a season where maximalism is having its moment, Olivia Ponton chose restraint—and made it roar. At the Michael Kors Spring/Summer 2026 show in New York City on September 11, 2025, she arrived in a look that felt like a masterclass in monochrome precision. No embellishments, no theatrics—just pure silhouette and attitude.
Ponton wore a black off-the-shoulder midi dress with a front slit that sliced through the fabric like punctuation. The material appeared matte and structured, hugging the body with just enough give to allow movement. A black belt cinched the waist, its long strap left to hang—a subtle nod to utilitarian styling. The neckline exposed the collarbones, adding softness to the otherwise assertive cut. It was a look that didn’t need sparkle to command attention.
She paired the dress with pointed black heels—sleek, sharp, and elongating. A structured black handbag with a shoulder strap added polish, while black sunglasses sealed the look with editorial cool. The accessories were tonal, but never redundant. Each piece served a purpose, reinforcing the outfit’s clean geometry.
