Olivia Palermo attended BVLGARI’s ICONS Minaudière Collection event during Paris Fashion Week 2026, wearing a structured black leather dress with patent boots.
At BVLGARI’s ICONS Minaudière Collection celebration during Paris Fashion Week 2026 , Olivia Palermo appeared in a look that balanced dominance and polish. She wore a black leather corset‑style dress with laced side panels and a flared midi hem, its sculpted bodice catching light like wet paint. The outfit cinched her frame in a way both studied and effortless, the leather suggesting power but the cut whispering ease. She paired it with patent knee‑high boots that added height and a glint of modern defiance. In her hand, a BVLGARI minaudière bag —small, geometric, trimmed in gold—swung lightly from a chain.
Michelle Mao shifts between two moods at Sundance’s IMDB Portrait Studio, textured black and playful pink.
At Sundance’s IMDB Portrait Studio in January 2026, Michelle Mao is caught in two different outfits. One is sharp: a black textured dress with feather-like edges, layered under a brown oversized coat. Black tights, black heels, silver hoops, necklace, and a brown handbag complete the look. The setting feels warm, almost domestic — leather couch, striped rug, muted wall art. It’s fashion but softened by the room’s coziness.
Then the switch. A pink faux fur jacket, floral skirt, sheer tights, pointed heels. A pink handbag resting casually beside her. She’s laughing, leaning back on the couch, wood-paneled wall behind, snowy forest framed above. The outfit is lighter, playful, almost cheeky compared to the first.
Lea Michele appeared in a clean white ensemble for the People Magazine November 2025 issue, sharing reflections on stage life and family calm.
For the People Magazine issue dated November 17 2025, Lea Michele is pictured in a pared‑back fashion photoshoot that turns quiet simplicity into intent. Wearing a soft sheer knit top tucked into high‑waisted ivory trousers , she stands slightly turned away from the camera, hand grazing her hip, gaze soft but playful. There’s no elaborate setting, just smooth light and pale background—letting texture do the talking. It feels human, unhurried, far from the over‑styled gloss sometimes attached to a magazine cover . Her long brown hair falls in loose waves; nothing exaggerated, just ease and presence.
Within the printed piece, she speaks about nightly calls to her mother before going onstage, dealing still with stage fright, and singing to her young children before bed. She laughs about being star‑struck backstage at the Tony Awards by George Clooney, and about her son thinking Glee was a cartoon because of a Frozen song. The story ends tenderly—with a small matching‑tattoo tribute to her grandmother’s coffee cup. These small domestic notes inch the portrait away from stardom and toward something gentler: continuity, ritual, humor, a bit of warmth you can almost touch.
