Olivia Ponton wore a black outfit with glasses and crocodile‑texture handbag during her Haute Living November 2025 editorial photoshoot.
Olivia Ponton’s Haute Living November 2025 editorial stages fashion as scholarship. In a bookstore setting, she crouches in a black outfit with black‑framed glasses , holding a crocodile‑texture handbag with lock detail while selecting “GILHARI” by Anas Asker . Surrounding spines — “The Academy” , “The Midnight Library” , “The Book Thief” — transform the mise‑en‑scène into a dialogue between couture and literature.
Billie Eilish wore a green jacket over a white shirt and black pants at the Avatar: Fire and Ash premiere in 2025.
Billie Eilish attended the world premiere of “Avatar: Fire and Ash” in Hollywood on December 1, 2025 , opting for a look that subverted red carpet expectations. Wearing a green jacket layered over a white shirt and black pants , she stood against a backdrop emblazoned with the film’s title and sponsor logos, including Dolby and Meta — a visual reminder of the event’s cinematic and technological scale.
The outfit’s silhouette is relaxed, almost utilitarian, with the green jacket offering a muted contrast to the high-gloss environment. The white shirt anchors the look in simplicity, while the black pants maintain a grounded, unfussy line. There’s no overt glamour here — no gown, no embellishment — but that’s precisely the point. Eilish’s fashion language has long resisted red carpet orthodoxy, favoring comfort, anonymity, and coded rebellion.
Lady Gaga wore a red lace garment with feathered headpiece in Rolling Stone December 2025 Voices of the Year feature.
Lady Gaga appeared in Rolling Stone’s December 2025 “Voices of the Year” issue , her styling and words merging into a single act of reclamation.
Her look — a red lace garment with sculptural sleeves paired with a dramatic feathered headpiece — fused theatrical maximalism with autobiographical symbolism. The bold red lips and geometric hand pose sharpened the image into something ritualistic, where fashion became declaration.
The narrative embedded in the feature was equally uncompromising. “I believed in suffering for your art. But it was really not healthy,” Gaga admitted, reframing her legacy through the lens of healing. Another line — “Lady Gaga’s the person who made Lady Gaga” — underscored the self-authorship at play. The styling echoed these confessions: feathers as residue of flight, lace as a net of memory, nails as talons of survival.
