Olivia Rodrigo wore a sheer lace Valentino Spring 2007 minidress for the W Magazine and Saint Laurent Grammy After Party 2026
At the W Magazine, Charli XCX, and Saint Laurent Grammy After Party on February 1, 2026, Olivia Rodrigo arrived in a vintage piece that balanced nostalgia and bravado. Her Valentino Spring 2007 Dress —a lace‑embroidered, sheer mini —read almost tender under the harsh night lighting. The pattern of powder‑pink florals across a nude mesh revealed a matching Araks Gita Underwire Bra in Bare and Araks Gwyneth Low‑Rise Panty , softly glimmering when she moved. She carried a Fendi Pink Sequin Baguette and wore Jude Haze Sandals in Pink Leather , their muted tone echoing the blossoms on the fabric. Small Anabela Chan Blush Cushion Wing Stud Earrings completed the look without adding noise—a restrained sparkle in the middle of a noisy Los Angeles night.
Part of what makes this event appearance interesting is its quiet resistance to the maximalist red‑carpet energy defining most celebrity event looks today—Rodrigo’s choice is more archival mischief than ornamentation. The lace, originally designed for runway polish, turns subversive in this downtown context.
The Fashion Verdict: The transparency walks the line between vulnerability and certainty. The boat neckline and cap sleeves make the silhouette girlish, but the illusion of exposure keeps it modern. Some might call it daring; it’s really about precision—how each floral motif sits like punctuation over the skin. It suggests a new kind of confidence: nostalgia unbuttoned and worn bare.
Style dilemma: Does this read as revival of early‑2000s romanticism or a defiant Gen Z play on transparency?
Melissa Joan Hart wore a silver sequin gown with fringe details at the 7th Annual Jam for Janie GRAMMY Viewing Party 2026.
At the 7th Annual Jam for Janie GRAMMY Awards Viewing Party in Los Angeles on February 1, 2026, Melissa Joan Hart made a quiet case for maturity done right. No fuss, no over‑styled sheen—just a confident shimmer. Her silver sequin gown caught the sunlight as she stepped onto the carpet, fine spaghetti straps anchored over a straight neckline . The light skimmed down to long black fringe beading that moved loosely with each step.
She kept it minimal: small earrings, thin bracelets wrapping the wrist, a black clutch. Hair in a soft up‑do with a few escaped strands, makeup warm and calm rather than glossy. The fit wasn’t sculptural or dramatic, more lived‑in sparkle—like a dress that wants to dance a little but not perform.
Within the night’s parade of statement looks, hers felt deliberate in understatement. Sequins often slide toward flash, but she turns them social—something human, something fun. It’s the kind of glamour that looks best when slightly unbothered.
Amanda Seyfried’s Net-A-Porter February 2026 shoot moves between pink retro glamour, oversized faux fur, and leopard-print drama.
On the cover of Net-A-Porter’s February 2026 issue, Amanda Seyfried steps into retro glamour. Pink blouse, sleeves puffed, tie detail long. Striped Gucci skirt grounding it. Curtains behind, pale blue, trimmed. It’s staged, but not stiff.
Another frame: oversized faux fur coat, dark, heavy. Satin dress underneath, shiny, light. Sunglasses oversized. She’s standing on a bed, arms raised. Ceiling lights shaped like stars. The pose is exaggerated, but the room feels oddly domestic.
Third: leopard-print coat, fur collar thick, bow tied at the front. Hallway lit warm, chandeliers glowing. It’s dramatic, almost theatrical, but softened by the golden light.
Together, the spread doesn’t flatten her. It lets her shift. Retro blouse, faux fur, leopard coat. Each outfit carries its own imperfect rhythm.
