Olivia Rodrigo wore an archival Armani Privé Spring 2005 couture look with Chopard rings at the Academy Museum Gala in Los Angeles on October 18, 2025.
On October 18, 2025, Olivia Rodrigo attended the Academy Museum of Motion Pictures 5th Annual Gala in Los Angeles , arriving in a look that underscored the growing red carpet fascination with archival couture. She wore an Armani Privé Spring 2005 couture ensemble , consisting of a cream‑colored sleeveless top adorned with a crocheted black floral embellishment at the neckline and a long, flowing black skirt with a train . The outfit’s restrained palette and sculptural silhouette allowed the archival craftsmanship to speak for itself, while the floral detail introduced a note of romantic eccentricity.
Rodrigo paired the gown with Chopard jewelry , including the L’heure Du Diamant Ring and the Ice Cub Ring in Ethical White Gold , along with earrings that added subtle sparkle. Her styling was deliberately minimal, ensuring the archival Armani remained the focal point of her appearance.
This appearance reflected the 2025 trend of archival couture revival , where stars embrace historic runway pieces to project both fashion literacy and cultural depth. By selecting a look from Armani Privé’s Spring 2005 collection—originally presented at Paris Haute Couture Fashion Week—Rodrigo aligned herself with a broader movement that values heritage fashion as a form of storytelling .
In the broader context of red carpet fashion , her choice exemplifies how stars now use designer outfits as cultural artifacts , reintroducing past collections into contemporary discourse. The decision to wear archival Armani also reinforced the house’s reputation for architectural restraint and timeless elegance , ensuring Rodrigo’s presence was among the best dressed of the evening .
The ensemble is refined in its orchestration of heritage and modernity. The floral embellishment projected romantic eccentricity, while the black skirt introduced gravitas. Some might argue the archival choice risked feeling subdued compared to more theatrical gowns, but the sharper observation is that Rodrigo’s styling illustrates how celebrity gowns now thrive on historical resonance—where the past is reactivated to create an iconic appearance in the present.
Rebecca Hall wore a Thom Browne Spring 2026 trompe‑l’œil bodysuit with a black floor‑length skirt at the Academy Museum Gala in Los Angeles on October 18, 2025.
On October 18, 2025, Rebecca Hall attended the Academy Museum of Motion Pictures 5th Annual Gala in Los Angeles , wearing one of the evening’s most cerebral and conversation‑starting ensembles. She chose a Thom Browne Spring 2026 trompe‑l’œil bodysuit , designed with a three‑dimensional, body‑mapped illusion in muted tones of grey, ivory, and black . On the runway, the piece was styled with pleated mini‑skirts and striped socks, but Hall made the deliberate choice to ground the surrealism with a floor‑length black skirt featuring a high slit , transforming the avant‑garde top into a red carpet‑ready statement.
Her styling was minimal— black open‑toe heels and a single ring —allowing the bodysuit’s sculptural artistry to remain the focal point. The result was a look that balanced provocation with restraint, artistry with wearability.
This appearance reflected the 2025 fascination with avant‑garde couture on the red carpet , where surrealist design elements are recontextualized for formal events. Thom Browne’s trompe‑l’œil techniques, long celebrated in fashion circles for their wit and architectural precision, found new resonance in Hall’s interpretation.
In the broader context of red carpet fashion , her look exemplifies how stars now embrace designer outfits as intellectual statements . By pairing a provocative bodysuit with a classic skirt, Hall demonstrated how celebrity fashion moments can function as both art and attire—ensuring her presence was among the best dressed of the evening while sparking dialogue about the role of surrealism in haute couture.
Sydney Sweeney wore a custom Armani Privé gown with Jimmy Choo Max sandals and an Armani La Prima Soft Bag at the Academy Museum Gala in Los Angeles on October 18, 2025.
On October 18, 2025, Sydney Sweeney attended the Academy Museum of Motion Pictures 5th Annual Gala in Los Angeles , arriving in a look that epitomized modern couture elegance. She wore a custom Armani Privé gown , a floor‑length creation that emphasized sculptural precision and timeless sophistication. The gown’s fitted silhouette and couture detailing projected both sensuality and restraint, a balance that has become central to Armani’s red carpet vocabulary.
Sweeney paired the gown with Jimmy Choo Max sandals , a platform design that added height while maintaining sleek continuity, and carried the Armani La Prima Soft Bag , a heritage accessory that reinforced the house’s codes of understated luxury. Her styling was deliberately polished, allowing the gown’s craftsmanship and accessories to remain the focal point of the ensemble.
This appearance reflected the 2025 fascination with quietly powerful couture , where stars embrace minimal silhouettes elevated by heritage accessories. Armani Privé’s custom work has long been associated with architectural tailoring and disciplined glamour , and Sweeney’s choice aligned seamlessly with this ethos.
In the broader context of red carpet fashion , her look exemplifies how stars now embrace designer outfits that merge couture restraint with cultural resonance . By pairing a sleek Armani gown with Jimmy Choo platforms and an archival‑inspired bag, Sweeney reinforced her reputation for fashion moments that balance Hollywood glamour with modern refinement , ensuring her presence was among the best dressed of the evening .
