Olivia Rodrigo wore a Valentino pink bow-trim mini dress and Louboutin platforms for her Resonator Awards studio portrait on January 27, 2026.
For her portrait ahead of the Resonator Awards, Olivia Rodrigo did something she’s become quietly great at—show up looking sweet, sharp, and just slightly out of reach.
She wore a delicate Valentino pink silk mini dress , styled with visible intention and nothing extra. The fitted bodice, ruched horizontally, gave subtle structure without cinching too tight. But it’s the three black velvet bows slicing across the front that did the real talking. They sit like punctuation—one under the bust, one across the waist, and a final one hovering just above the hips. It gives the whole look a stacked ribbon effect, like she’s giftwrapped in punctuation marks.
The silhouette was sleek, stopping mid-thigh, no frills at the hem, just clean lines. The neckline dips into a soft V, supported by whisper-thin straps—almost invisible against her skin, just there enough to hold the dress up.
Bella Poarch wore a strapless layered red tulle gown and matching opera gloves to the Go Red for Women event in New York on January 29.
At the American Heart Association’s Go Red for Women Red Dress Collection Concert in New York, Bella Poarch gave us full fairytale drama—with edge. She looked like a rose in full bloom, if that rose had tattoos and didn’t care if it was being watched.
The dress was floor-length, strapless, and completely consumed in layered shades of red tulle , ranging from bright cherry to soft pink undertones peeking near the hem. The gown’s bodice was ruched diagonally, creating structure without stiffness, and the skirt poured outward in a glowing, almost translucent flood. But the real punctuation came from the left side—draped with sculptural fabric rosettes, growing up and out of the hip like petals mid-motion.
She wore matching tulle opera gloves , fingertip-length and fitted, which gave the look cohesion, but also let it lean slightly surreal—like she wandered out of a Renaissance painting halfway through and decided to make it punk. The styling was minimal elsewhere—no necklace, no excess. Long, softly curled waves fell over her shoulders. Her ink peeks out like an afterthought—but it never is.
The makeup was quietly glam. Rounded eye, fluffy brow, diffuse lip. Nothing overdrawn, nothing showy. It was softness held in tension. And that tension? Makes it memorable.
Elizabeth Debicki wore a shearling-trimmed puffer, cable-knit turtleneck, and boots after returning from Paris Fashion Week on January 28, 2026.
Spotted rolling back through the Eurostar terminal after a quick Paris pivot, Elizabeth Debicki looked like the tall girl version of a travel-day moodboard. Calm. Warm. Unbothered. Towering even when blending in.
She wore a cropped black bomber-style puffer jacket , but this wasn’t subtle. The sleeves and body were paneled with oversized ivory shearling , and stitched with Western-style star appliqués. A look that says: yes, I saw the show, and no, I’m not checking this coat. The puff is real. It frames her, soft but sharp at the same time.
Underneath: a chunky, oversized white cable-knit turtleneck , the collar climbing up, folding over like a knitted barricade. The sweater adds warmth and volume, layered without any need to show shape. The jeans? Mid-wash, straight-leg, ankle-grazing and likely vintage or at least made to feel that way—zero stretch, clean lines. Worn-in, not distressed.
Footwear? Chunky Chelsea boots in smooth black leather. Grounding yet sleek, avoiding the clunky energy some airport-style boots fall into. No wild pumps. No statement loafers. Just urban utility done with clarity.
Minimal visible accessories. A camel-tone leather carry-on peeks just out of frame. No sunglasses this time. Just wire-frame aviators pushing casual into calculated. Hair tousled, loose. Face fresh, makeup reduced to faint contours if any. It’s giving: no makeup, no problem.
Coming off Paris Fashion Week , where front row fashion often climbs into a hyper-styled stratosphere, Elizabeth’s return look is refreshingly grounded. This isn’t “off-duty” in the curated sense—it’s a reminder that real celebrity street style lives in subtle contrasts: oversized next to streamlined, luxury textures worn like chores, softness laced through utility gear.
