Olivia Taylor Dudley wore a vintage brown leather jacket and dark relaxed trousers for the Whistle film screening in Santa Monica 2026.
At the Whistle screening at Aero Theatre in Santa Monica on January 27 2026, Olivia Taylor Dudley showed up in a look that quietly sidestepped Hollywood gloss. She wore an oversized brown distressed leather jacket —grain visible, nearly matte—layered over a black ribbed tank top and loose black trousers that touched the ground. Pointed black boots peeked out beneath the hem. It’s utilitarian, unfussy, deliberately aged.
Joey King wore a patterned cardigan with beige cargo pants and white sneakers for a Los Angeles lunch.
Joey King stepped out for a casual lunch in Los Angeles on January 27, 2026, embodying the kind of street style that feels genuinely unforced. She wore a chunky patterned knit cardigan —all purples, teals, and creams in a geometric, almost vintage-looking weave—over a simple white top. The cargo pants were beige, baggy, pooled slightly at the ankle, and paired with scuffed white sneakers that suggest actual wear rather than fresh-out-of-box styling. A black shoulder bag hung crossbody, and she pushed her sunglasses up into her tousled auburn hair while walking alongside her partner.
Dua Lipa wore a Chanel patterned skirt‑suit with Tiffany & Co. jewelry and two‑tone pumps for a January 2026 fashion photoshoot.
For her January 2026 photoshoot , Dua Lipa posed in what appears to reference her recent Chanel Haute Couture Show 2026 appearance—melding high‑house tailoring with playful attitude. Seated casually on an olive velvet sofa, she wore a yellow‑and‑red matching jacket and skirt , abstract and structured like a reinterpretation of Chanel’s Métier d’Art 2026 craftsmanship. The sharp shoulders, vivid tones, and cropped cut gave the maison’s codes a rawer spin, closer to art pop than salon elegance.
Accessories tied the visual back to signature Chanel motifs: Spring 2026 Earrings , Pre‑Fall 2026 Pumps , and a small Métier d’Art Bag that echoed the textures in miniature. Her subtle Tiffany & Co. Custom Engagement Ring flashed at her finger—a single beam of minimal sparkle against the graphic chaos of the outfit. Red lipstick replaced the traditional Chanel tweed restraint with something punchier, while her sleek hair framed the scene like punctuation, not ornament.
This fashion photoshoot functions as dialogue between heritage houses and personal instinct—Chanel’s rigor meeting Lipa’s mischief, jewelry tradition versus modern irreverence. It’s couture rewritten in a casual room, glamour re‑coded for an age that prefers personality over polish.
When celebrity becomes curator, does heritage survive instinct—or does it evolve with it?
