Olivia Wilde and Chase Sui Wonders posed alongside their team for a laid‑back Deadline Studio portrait session during the Sundance Film Festival in January 2026.
In a cool wash of blue, Olivia Wilde and Chase Sui Wonders lean into the casual rhythm of a Sundance group portrait for Christina House’s Los Angeles Times Studio , January 2026. The styling falls somewhere between road‑trip realness and editorial restraint: leather jackets , blue layers , soft denim , and the unmistakable energy of tired creatives mid‑festival. No exaggerated poses, just warm body language—a shared ease that feels earned rather than arranged.
Wilde’s leather‑and‑shearling jacket toughens up her pale blue shirt, a smart mix of structure and softness. Wonders , lower in frame, wears a black leather jacket over a bright blue zip‑up , the pop of color cutting through the otherwise subdued palette. Around them, castmates balance the frame: knit sweaters, turtlenecks, worn adventure boots—clothes chosen for comfort and continuity more than statement. It’s the truest form of photoshoot honesty, when fashion bends to mood instead of demanding attention.
Leonie Hanne wore a short Schiaparelli fur bomber, asymmetrical skirt, and matching ankle boots at the brand’s Haute Couture show in Paris on January 26 2026.
On the marble steps outside the Schiaparelli Haute Couture show, Leonie Hanne appears sculpted in neutral tones and tightly controlled textures. She wears a Schiaparelli short bomber with a stand‑up collar , plush and voluminous, zipped up just high enough to catch the winter air. The asymmetrical skirt , also Schiaparelli, slices diagonally across her figure—architectural but still soft. Every line meets at her Keyhole Western ankle boots , suede and grounded in tone with the rest. Her Bijoux Secret bag , structured and heavy with gold hardware, dangles casually from one hand.
The palette—muted taupe, sand, and stone—lets the geometry speak louder than the color. The look feels like Schiaparelli in conversation with utility: belts, zippers, exaggerated sleeves tempered by precision tailoring. It has that tension between fashion’s theatrical instinct and Paris’s pragmatic restraint. As guests swirl by in brighter couture, Hanne’s version of boldness is quieter—weighty fabric, deliberate cut, no need for shimmer.
Sabrina Carpenter wore classic blonde curls, winged eyeliner, and soft peach glam for her 2026 Redken beauty campaign, channeling vintage Hollywood energy.
In this close, warmly lit portrait, Sabrina Carpenter becomes a time capsule of old‑school cool. Her platinum blonde hair , styled in big retro curls , frames her face like mid‑century movie lighting. The soft fringe , slightly uneven and intentionally carefree, gives the image that tactile realism modern glam sometimes forgets. Shimmery lids, sharp winged liner , and nude peach lips build the beauty look —familiar codes of silver‑screen femininity but filtered through today’s precision. Against the faded beige tones of her setting and the casual robe draped around her shoulders, the styling feels almost cinematic but also domestic, as if glamour was caught mid‑morning.
