Olivia Wilde wore a black lace and chiffon slip dress at The Invite premiere during the 2026 Sundance Film Festival in Utah.
At the 2026 Sundance Film Festival in Park City, Olivia Wilde appeared at The Invite premiere wearing a look that fused casual western edge and couture sensuality. The ensemble centered on a black Dolce & Gabbana long silk chiffon and Chantilly lace slip dress , revealing a precise play between transparency and shadow. Delicate lace framing along the bodice transitioned into soft pleats that caught light subtly against the matte background.
The thigh-high lace panel on one side broke the symmetry, lending movement and attitude. Beneath, tall textured black boots –rugged and slightly unexpected–pushed the outfit out of evening elegance and into Sundance-terrain realism. Her long hair, undone and airy, balanced the precision of the gown with a sense of freedom, while minimal jewelry and crimson nails kept the focus on texture and flow rather than excess detail.
Rihanna wore a chocolate-brown ensemble with a fur scarf and wide-leg pants while leaving a Paris hotel with ASAP Rocky after a fashion show.
In Paris on January 24, 2026, Rihanna stepped out alongside ASAP Rocky after a fashion week event, blurring the line between comfort and glamour the way only she can. She wore an entirely brown ensemble , rich with layered tones–from espresso to chestnut to sable–anchored by a thick fur scarf draped around her shoulders. The scarf’s deep mix of textures added a lived-in opulence that looked made for late-night Paris streets.
Underneath, a brown knit top and loose wide-leg trousers lent ease, while a structured belt at the waist cinched the softness back into shape. Sharp-pointed toffee-colored heels peeked out from beneath the hem, echoing her understated confidence. She completed the look with oversized sunglasses , layered chains, and muted lip color – small details that made the luxury look effortless rather than loud.
Rocky, beside her, kept it practical in a black leather jacket and a cozy Chanel knit hat , a style symmetry that felt casual yet curated. Together they walked through the hotel’s warm lighting like two people who have no interest in performing fashion and yet define its mood every time they do.
This outing fit firmly within the current wave of red carpet fashion and off-duty couture blends dominating Paris this season. The real style statement here wasn’t decoration – it was warmth worn like authority.
Mel C appears in The Sunday Times Style’s January 2026 issue, reflecting on girl power, aging, and fashion grit.
The January 2026 issue of The Sunday Times Style places Melanie Chisholm in a setting that’s more shadow than spotlight. One shot shows her seated in a dark, watery space, trench coat wrapped tight, metallic heels catching the light. It’s not glamorous. It’s grounded. The pose is relaxed, but the mood is sharp.
Another frame shifts tone. She’s stretched out on a glossy surface, metallic Cavalli cutout dress clinging to her body, sheer tights, tattoos visible. The styling is bold, but the energy is quiet. She’s not performing. She’s resting.
The final image is more formal. Mel C stands beside her boyfriend, Australian model Chris Dingwall. Long dress, tailored suit. It’s a clean shot, but the intimacy is what holds it.
The interview cuts deeper. She talks about turning 50 and feeling better than ever. About the early Spice Girls days–naive, loud, determined. About being told girls don’t sell records, and deciding to prove otherwise. She recalls a panel with Leigh-Anne Pinnock, Shaznay Lewis, Nicola Roberts, and Keisha Buchanan. Their stories of manipulation and exploitation made her blood boil. “We called the shots,” she says. But she’s not naive about how rare that was.
She reflects on being seen as unpredictable, even scary. “We had to go in all guns blazing,” she says. There’s pride in that. But also a kind of disbelief. “Sometimes we laugh and go, ‘How did we get away with it?’”
Now, she’s softer but not quieter. She talks about her daughter Scarlett, her relationship, her album Sweat. Cosmetic tweaks, shopping habits, and the possibility of a reunion. But the core remains: she’s still the one who walked into a male-dominated industry and didn’t flinch.
Does this editorial feel like a celebration of survival or a quiet reckoning with legacy?
