Oona Chaplin wore a rust-colored suit with a sheer black lace top at the 2026 BAFTA Tea Party in Los Angeles on January 10.
Oona Chaplin at the 2026 BAFTA Tea Party in Los Angeles, January 10. She stands in front of the purple wall, hands together, not a trace of nerves. The suit is rust red , loose, a little wrinkled, but in a way that feels lived-in, not careless. The jacket is boxy, sleeves long, pants cropped above the ankle. Underneath, a sheer black lace top–high neck, intricate, a bit gothic, but softened by the color of the suit.
Her hair is parted in the middle, loose waves, tucked behind the ears. Earrings dangle, nothing too shiny. Makeup is soft, natural, a little blush, lips just a shade darker than her skin. Black pointed pumps, classic, no embellishment. A couple of rings, nothing that screams for attention.
There’s a kind of quiet confidence here. Not trying to be the flashiest in the room. The whole look is a little offbeat, a little romantic, but grounded. For those who follow red carpet fashion , it’s a reminder that a suit can be just as striking as any gown–especially when it’s worn with this much ease.
Her hair is loose, parted in the middle, soft waves. Makeup is simple–bold brows, a little blush, lips just pink enough. Gold jewelry everywhere: a thin necklace, hoop earrings, bracelets, rings. Nothing matches exactly, but it all works. Sandals, gold, open-toe, not too high. She looks comfortable, like she could stay at the party or sneak out early and no one would notice.
There’s a kind of ease here. No big statement, no wild silhouette. Just a young woman in a slip dress, standing against a yellow wall, letting the fabric and the color do the talking. For those who follow red carpet fashion , it’s a reminder that sometimes the best look is the one that feels the most like you.
Jameela Jamil wore a strapless black and white dress with nude pumps at the 2026 BAFTA Tea Party in Los Angeles on January 10.
Jameela Jamil at the 2026 BAFTA Tea Party in Los Angeles, January 10. She stands with one hand on her hip, the other relaxed, a small smile–half challenge, half invitation. The dress is strapless , black bodice with a white scalloped edge, almost like a cartoon heart drawn in chalk. The skirt is white, draped, soft, crossing at the front and showing just enough leg to keep things interesting. No sequins, no wild prints, just a clean split between black and white.
Her hair is long, loose, and shiny, with full bangs–classic Jameela. Makeup is warm, a little glow on the cheeks, lips a muted rose. Jewelry is minimal, just a ring and a delicate necklace. Shoes are pointed, nude, nothing flashy. The whole look is simple, but not plain. There’s a kind of old-school movie star energy, but filtered through a modern, slightly mischievous lens.
It’s not a look that begs for attention. It just stands there, confident, a little playful, not trying to outshine anyone. For those who follow red carpet fashion , it’s a reminder that sometimes the best move is to keep it direct–black, white, a little attitude, and a lot of ease.
