Paloma Elsesser wore a polka dot dress with a deep neckline and embellished bow at The Fashion Awards 2025.
Paloma Elsesser’s red carpet appearance at The Fashion Awards 2025 was a study in retro geometry and strategic whimsy. She wore a black dress with white polka dots , white straps , and a deep neckline , anchored by a large decorative bow at the waist adorned with black embellishments . The silhouette was compact but expressive, balancing vintage references with modern construction.
The polka dots evoked mid-century femininity, but the neckline and bow disrupted that nostalgia with assertive angles. This wasn’t a look built on sweetness — it was built on contrast. The bow, oversized and embellished, functioned less as decoration and more as punctuation.
Olivia Attwood wore a white strapless crop top, asymmetrical skirt, and overcoat at The Fashion Awards 2025.
Olivia Attwood’s red carpet look at The Fashion Awards 2025 was a study in tonal precision and silhouette control. She wore a white strapless crop top paired with a short asymmetrical skirt , layered beneath a long white overcoat . The ensemble was grounded by sheer black tights and pointed black heels , creating a visual rhythm of contrast and cohesion.
The crop top and skirt leaned into clubwear codes — exposed skin, abbreviated length, and sculptural simplicity. But the overcoat reframed the look, adding verticality and structure. It wasn’t just a cover-up; it was a compositional anchor. The tights and heels added tension, slicing through the white palette with graphic clarity.
Amanda Holden wore a strapless black gown with cutouts and a high slit at The Fashion Awards 2025.
Amanda Holden’s appearance at The Fashion Awards 2025 was a masterclass in controlled drama. She wore a strapless black gown with strategic cutouts across the back and a high slit , paired with black high-heeled shoes featuring red soles . The fabric’s glossy finish amplified the gown’s architectural lines, catching light with every movement.
The cutouts weren’t gratuitous — they were geometric. They carved tension into the silhouette, transforming a classic strapless gown into a study in negative space. The slit, placed with precision, added motion and edge without compromising elegance. This wasn’t a gown that revealed; it sculpted.
