Pamela Anderson wore a custom Ferragamo all‑white ensemble paired with Pandora Lab‑Grown Diamond jewelry on the Golden Globes 2026 red carpet in Beverly Hills.
At the Golden Globe Awards in Beverly Hills on January 11, 2026 , Pamela Anderson arrived with her signature blend of ease and control. She wore a custom Ferragamo look —a long, minimalist white outfit built from a structured blouse and floor‑length skirt. The crisp pleated top , tucked neatly into a high‑waist column skirt, created alignment between softness and structure, offering a near‑architectural silhouette. The sleeves, long and gathered at the wrists, played gently with proportion while preserving simplicity.
Her choice of accessories was deliberate: a Pandora Lab‑Grown Diamond necklace and matching earrings framed the neckline, catching light without overt shimmer. The hair was pinned into a soft updo with a few strands loose, bringing ease to the clean lines of the outfit. Anderson’s makeup felt subdued—nude tones, sheer textures, a trace of peach around the lips—the kind of optical calm that makes every design element breathe.
Gracie Abrams wore a yellow and black custom Chanel tweed jacket with beige trousers at the Chanel Haute Couture show in Paris on January 27, 2026.
Against a backdrop of weeping willows and soft pink staging, Gracie Abrams cuts a distinct figure at the Chanel Haute Couture Spring/Summer 2026 show . It’s Paris, it’s late January, and the usual front row fashion playbook involves sleek black coats or shivering in chiffon. Abrams, however, goes for texture. Her look centers on a Chanel Custom Jacket , a piece of yellow, black, and white tweed so aggressively tactile it practically vibrates. The fabric is shredded at the edges—cuffs, hem, collar—giving it a raw, unfinished energy that feels less like “ladylike Chanel” and more like punkish deconstruction.
She pairs this loud, fuzzy armor with Chanel Pre-Fall 2026 Pants in a neutral beige. They are pleated at the waist , loose but not baggy, grounding the chaotic tweed with a bit of menswear stoicism. On her feet, the classic Chanel Pre-Fall 2026 Pumps — two-tone black and white —peek out, offering a sharp, geometric finish to the slouchy trousers. The jewelry is scattered but deliberate: the Chanel Coco Crush Supple Short Necklace sits quietly at the neck, while her fingers and ear are stacked with Coco Crush Rings and a Single Ear Cuff . Her hair is cropped short, tucked behind the ears, adding to the boyish, elfin charm of the ensemble.
There is a specific kind of confidence required to wear bright yellow tweed in January. It suggests a refusal to participate in the collective gray mood of winter. Abrams navigates this well, balancing the jacket’s volume with the clean lines of the trousers. It’s a look that feels curated but comfortable, a rare intersection for a fashion show guest who knows cameras are everywhere.
Bruna Marquezine wore a long white textured dress with a tiered abstract skirt and black Chanel Spring 2026 pumps at the Chanel Haute Couture Show in Paris on January 26, 2026.
At the Chanel Haute Couture Spring/Summer 2026 show in Paris on January 26, 2026 , Bruna Marquezine brought quiet precision to one of the season’s most anticipated moments. She wore a Chanel Spring 2026 dress that combined contrast in both texture and tone. The upper half—a fine, ribbed knit in a muted ivory hue—fell close to her frame, long‑sleeved and modest but with subtle sheen that caught the light. Below, the tiered skirt unfolded in bold painterly layers of cream, crimson, and onyx abstract prints, the kind of fabric that moves even when still.
Her shoes— Chanel Spring 2026 pumps in black patent—peeked beneath the volume, mirroring the darker shades embedded in the skirt. She finished the ensemble with gold and pearl drop earrings , soft waves in her hair, and a neutral beauty look: polished skin, muted tones, and a soft pink lip. The setting’s pastel backdrop, dusted with pink leaves and evening light, turned her into part of the composition rather than placed before it.
